Vermona DEG-500 Digital Delay Chorus Flanger Echo Rackmount Signal Processor [Restoration & Repair & Mod's], 1987, made in Germany

Link: radiomuseum

Country:  Germany

Manufacturer / Brand:  Klingenthaler Harmonikawerke, VEB; Klingenthal (Ostd.) (Vermona)

alternative name  

Musikelektronik Klingenthal (VEB) (Ostd.)

Year: 1987

Category: Audio Amplifier or -mixer

Semiconductors (the count is only for transistors) Semiconductors present.

Main principle Audio-Amplification

Wave bands - without

Details

Power type and voltage Alternating Current supply (AC) / 220 Volt

Loudspeaker - For headphones or amp.

Power out

Model: Effektgerät Digital Delay DEG500 - Klingenthaler Harmonikawerke,

Material Metal case

Shape Tablemodel, with any shape - general.

Dimensions (WHD) 483 x 44 x 300 mm / 19 x 1.7 x 11.8 inch

Notes

• The DEG-500 is an effect device with a wide range of applications. It offers the following options: • Three adjustable effect programs: Echo, Flanging, Chorus.
• Control options: input level, mixing ratio, feedback, output level, delay time, modulation.
• Connections: Input (Input), Outputs (DRY, MIX, INV-MIX). Combined input and output (IN / OUT), footswitch (EFFECT- STOP), loop-in socket (FEEDBACK-LOOP).
• Transmission range: 20 Hz ... 20,000 Hz for delay and 50 Hz ... 10,000 Hz for DRY.

Net weight (2.2 lb = 1 kg) 4 kg / 8 lb 13 oz (8.811 lb)

есть дефектная керамика...

к слову: основная проблема неработоспособности обработки входящего сигнала A110D ее можно смело менять на 554СА2, SN72710N (Компаратор с выходом TTL)

устройство можно прокачать увеличенным фидбеком и отсечками, в этом случае ему даже не нужен входящий сигнал :) всё во славу Noise

Dynaudio BM5A mki Active Studio Monitors, 2005, made in Denmark

Link: soundonsound

Specifications
Low Frequency Driver: 6.5" One-piece molded polypropylene cone Woofer with 3" Aluminum voice coil
Mid Frequency Driver: no
High Frequency Driver: 1.1" Esotec soft dome Tweeter with rear chamber, magnetic fluid, die-cast Aluminum front, and 4mm Aluminum voice coil
LF Amplifier: 50 Watts
HF Amplifier: 50 Watts
Crossover: Electronic, 6 dB/Octave Slope, 1.5 kHz, 4th Order Phase Aligned
Frequency Range: 50 Hz - 21 kHz +/-3 dB
Impedance: Not Applicable, self-amplified
Maximum Sound Pressure Level (SPL): 115 dB @ 1 Meter
Controls and Indicators:
Rear:
1 x +4/-10 Input Sensitivity Switch
1 x High Pass Filter Switch
3 x Low, Mid, High Filter Switches
1 x Power Switch
Front:
1 x Green Power On LED Indicator
1 x Orange Limiter Circuitry Activated/Red Thermal Overload LED Indicator
Connectors: 1 x XLR Female (Balanced) 1 x IEC AC In
Shielded: Yes
Dimensions: 12.5 x 7.3 x 12.5" (320 x 186 x 320mm)
Weight: 19.2 lbs (8.7 kg)
Specialties:
- High and Low Frequency Trim control

- Limiter and Thermal Overload Protection Circuitry

Korg MS-20 mini Semi-Modular Analog Synthesizer [Restoration], 2013, made in China

чуть попозже обсудим апгрейды твики и прочую невесомость относительно инструмента :( ему пора приходит стать взрослым

Link: korg | falseelectronics | vintagesynth | soundonsound

ну... как всегда: приехало страшилище после попадания прямых солнечных лучей Солнышко с кучей личинок моли и т.д.

Digidesign M-box Mini USB Interface, 2010, made in China

Link: avidtech

• USB interface for capturing and mixing studio-quality sessions with up to 24-bit/48kHz audio resolution
• Professional-grade circuitry and premium audio conversion
• 2 x 2 simultaneous channels of input and output
• Single microphone/line combo input with professional-grade preamp
• Two instrument inputs (one DI, one line-level/DI)
• 48V phantom power
• Two balanced 1/4" TRS line-level outputs
• Stereo headphone output with discrete volume control
• Mix control for low-latency monitoring
• Dedicated monitor volume knob
• Use with your favorite recording/music creation software, including Pro Tools, Logic, Live, Cubase, and more

Line 6 floor board (flbr) Rev. A, 1996/2003, made in Malaysia

Link: line6 | support page | Operation Guide

The Floor Board has two main modes of operation: Channel Select and Effect On/Off. Effect On/Off gives you instant direct access to your Digital Guitar Amplifier System's effects. Step on one of the sturdy steel Effect On/Off switches and the amp instantly responds by turning that effect on or off, just like a classic effect stomp box. Red lights above each Effect On/Off switch show you whether an individual effect is On (light on) or Off (light off) so you can see the details of your Channel's setup at a glance.

The Floor Board's two built-in continuous pedals control the Wah and Volume effects of the Digital Guitar Amplifier System. The Wah Pedal includes a toe-down on/off switch just like a classic wah pedal, and its tone is modeled after* a vintage Vox™ wah for a very musical, expressive sound. The audio signal from your guitar doesn't go through the Floor Board - these are just remote controls for the Digital Guitar Amplifier System's processing. That means the guitar signal always stays inside the amp and in the digital domain, safe from the kind of hum and interference that you can get when using traditional pedals on-stage.

The Floor Board gives you the same Tap Tempo control of effect times as you get from your Digital Guitar Amplifier System. With the AX2, Tap Tempo controls the speed, or tempo, of your delay effects. Just tap a couple of times on the TAP TEMPO stomp switch. Now the individual echoes of your delay will happen in time to the tempo you just tapped on the switch. You can store the new delay time with the Channel if you like, so that it will be recalled the next time you choose that Channel. With a Flextone, POD, or Spider the Floor Board Tap Tempo control can also be used to set the speed of your other effects, just like the Tap Tempo button on the Flextone top panel.

Arturia MiniBrute analog synthesizer [Restoration], 2012, made in China

Link: arturia | soundonsound

Main Features

• Monophonic synthesizer
• 100% Analog Audio Signal Path
• Steiner-Parker 2 pole Multimode Filter (Low Pass, Band Pass, High Pass and Notch)
• Voltage Controlled Oscillator with Sub-Osc (Square, Sine, -1 & -2 oct)
• Oscillator Mixer (Sub, Sawtooth, Square, Triangle, White Noise, Audio In)
• Signal Enhancers :
• Pulse Width Modulation
• Ultrasaw generating shimmering sawtooth waveforms
• Metalizer bringing extreme triangle harmonics
• Brute Factor™ delivering saturation and rich harmonics
• LFO1 with 6 waveforms (Sine, Triangle, Sawtooth, Square, Random Square, Random Sine) and bi-polar modulation destinations (to PWM & Metalize, Pitch, Filter, Amplifier)
• LFO1 clock syncable to Arpeggiator (Arpeg, or free).
• LFO2 with selectable rate and 3 vibrato modes (trill up, trill down, sine)
• Two ADSR Envelope Generators with selectable slow/fast speed (from 1 millisecond to more than 10 seconds)
• Keyboard Tracking on the VCF Cutoff
• 25 note semi-weighted keyboard with aftertouch (assignable to Cutoff or Vibrato amount)
• Mod Wheel (assignable to Cutoff, Vibrato, or LFO amount)
• Pitch Wheel (with selectable bend range)
• Octave selector from -2 to +2 octaves
• External Analog Audio Input
• CV In/Out :
• CV Inputs: Pitch, Filter, Amp
• CV Output: Pitch (tracks the keyboard and pitch wheel)
• Gate In/Out
• Gate source selector (Audio/Hold/Keyboard)
• MIDI In/Out with 5 pin DIN connectors
• USB MIDI In/Out
• 1/4” Audio Output and 1/4” Headphone Output
• Full Function Arpeggiator:
• 4 modes of arpeggiation
• 4 octave range control
• 6 step divisions
• 6 Swing positions
• Hold function
• Tempo knob
• Tap tempo
• MIDI Sync
• Rugged Aluminium enclosure
• 12V DC 1A power

In the Box

• MiniBrute synthesizer.
• User manual.
• Preset sheets.
• Power supply.

Size & weight

• Instrument size : 325x390x70mm (12.79 x 15.35 x 2.76 inch).
• Instrument weight : 4 Kg (8.8 lbs).

Arturia MicroBrute analog synthesizer [Restoration], 2013, made in China

מְנוֹרָה‏

Link: arturia | soundonsound

Keyboard: 25-note minikey
Synthesizer Type: Analog monophonic synthesizer
Polyphony: Monophonic
Filter: Steiner-Parker 2-pole multi-mode filter (low pass, band pass, high pass) Brute factor control
Oscillator Type: Analog voltage controlled oscillator
Oscillator Mixer: Overtone sub/5th generator, sawtooth, square, triangle, audio in (on rear panel)
Oscillation Mode: Pulse width modulation, Ultrasaw, Metalizer
LFO: LFO with 3 waveforms (sine, sawtooth, square), clock syncable to arpeggiator (arpeg, or free)
Envelope Control: ADSRenvelope generator
Keyboard Tracking: Yes, on VCF cutoff
Mod Wheel: Yes, assignable to cutoff, or LFO amount
Pitch Wheel: Yes, with selectable bend range via software
Octave Selector: Yes, from -2 to +2 octaves
Analog Audio Input: 1/4" analog audio input
Analog Audio Output:
- 1/4" audio output
- 1/8" headphone output
CV In/Out Controls: CV in jacks: pitch, filter, subharmonics, pulse width, metalizer, saw animator
CV out jacks: pitch, envelope, LFO

MIDI: MIDI in with 5-pin DIN connector

USB MIDI: in/out