APS Mini Rhythm MR 3201 automat perkusyjny, 1989, made in Poland



Link:
matrixsynth

32 rhythms Polish analog drum machine from the Communist era. Has 6 knobs: bass, snare and hihat volume, global tempo, fine tempo, main volume. Goes together with a foot switch that has 2 buttons: start/stop and intro/fill-in. These buttons are also on the main unit and are activated when the foot switch is unplugged.

APS Mini Rhythm MR 3201 MP3 Sounds pretty tight.

Vermona DRM (Digital Rhythm Machine), 1987-1990, made in Germany

parts of repair
parts of repair
parts of repair

Technische Daten: vermona | sequencer

Demo1
Demo2

gebaut von 1987 bis 1990
zwölffach polyphon, analoge Klangerzeugung, 12 Drumsounds (1Bass Drum, 2 Snare Drums, 2 Hi Hats (open, closed), 1 Cymbal, 3 Toms, 1 Clap, 1 Cowbell, 1 Clave ), 16 Preset Pattern, 10 User Pattern, 16 Songspeicher, Lauflichtprogrammierung ( 32 Programmierschritte ), Solo- und Fill-In Funktion, Tempo von 40 - 248 bpm, Realtime und Step-Programmierung, Akzentfunktion, midi In und Out


Yamaha RX-770 Audio Video Receiver, 1993-1999, made in Malaysia



Link: cnet | hifiengine | stereo - любителям покопаться

Конструктивно RX-770 выполнен с использованием технологии ToP-ART, применявшейся во всех средних и топовых усилителях фирмы (Total Purity Audio Reproduction Technology - "расположение элементов схемы на печатной плате выполнено в соответствии с логикой прохождения сигнала в усилителе для минимизации длины соединительных проводников, элементы схемы расположены предельно близко друг к другу, симметрично для обоих каналов усиления").



Yamaha AX-470 Stereo Integrated Amplifier, 1993-1995, made in Malaysia


Link: hifiengine

Specifications
Power output:
65 watts per channel into 8Ω (stereo)
Frequency response: 20Hz to 20kHz
Total harmonic distortion: 0.008%
Damping factor: 240
Input sensitivity: 2.5mV (MM), 150mV (line)
Signal to noise ratio: 88dB (MM), 110dB (line)
Channel separation: 50dB (line)
Output: 150mV (line)
Dimensions: 435 x 150 x 388.5mm
Weight: 9.5kg
Accessories: remote control transmitter
Year: 1993

Downloads
instruction/owners manual
service manual

Related Catalogues
HiFi


Beag AEX-251 Tube Amplifier, 1969, made in Hungary


Link: radiomuseum | elektrotanya | Рекомендации по "бережной" переделке | audioportal

Country: Hungary
Manufacturer / Brand: Budapesti Elektroakusztikai Gyár (BEAG), Budapest
Year: 1969 ?
Category: Audio Amplifier or -mixer
Valves / Tubes 8: EF86 EF86 ECC808 ECC808 ECC808 ECH81 EL34 EL34
Main principle Audio-Amplification
Wave bands - without
Details
Power type and voltage Alternating Current supply (AC) / 220 Volt
Loudspeaker - This model requires external speaker(s).
Power out 70 W (unknown quality)
Radiomuseum Model: AEX-251 - Budapesti Elektroakusztikai Gy
Material Metal case
Shape Tablemodel, with any shape - general.
Dimensions (WHD) 330 x 140 x 400 mm / 13 x 5.5 x 15.7 inch
Net weight (2.2 lb = 1 kg) 12.5 kg / 27 lb 8.5 oz (27.533 lb)
Literature/Schematics (1) Rádiótechnika, 1969.



Силовой установлен с правильным питанием на лампы (оригинал в довесок с показателями около 550 - он остался), что бы защитить их на долгое время от вымирания. Конденсаторы в блоке питания сменены на цепь.  Пара EL34 новые от Electro Harmonix. Лампа на Vibrato снята, так как к чертям такой эффект. Подключен усилитель на 8 Ohm. (можно вернуть на 16 Ohm). Не шумит - не фонит. Схема работы на листе. Привет из 60хх годов. Ниже приведены ТТХ на корректную переделку усилителя "без слёз".





Avid Digidesign MBox 2 Pro FireWire Audio Interface, made in Thailand (Design - USA)

DBX 160 XT Signal Processors Rack Effects, made in USA


компрессор с трансформаторной опцией!!!!!
отличается от A - мягче, музыкальнее, обогащен прям таки гармониками.


TC Electronic FireworX Radical Multi-effects Processor, 1998, made in Denmark


Link: tcelectronic | support | tech specs

Существует вариант Fireworx с входом Word Clock.

The FireworX is the most radical sounding Multi-Effects Processor you've ever heard and a real challenge to your imagination. Take whatever you need from the broad palette of internal effects, drop it into the forge at the heart of the FireworX, and turn your music into a fireball of sound.
Based on cutting edge technology from TC Electronic, the FireworX will let you surf the limits of the possible.
Turn up the heat and get ready to explore the world of digital pyrotechnics.


Roll Music Systems RMS 755 Super Stereo Compressor, 2010, made in USA




Link: rollmusic | brochure PDF | Owner's Manual PDF

A stereo mix compressor designed to squeeze life into your mix, not out of it.
The sound of stereo buss compression has become ubiquitous in today's larger-than-life music. When it's done well it can enhance the sense of cohesion and fullness that makes a recording sound like a record. When it's done poorly it can make a recording sound bloated, puffy, muddy, muffled, distorted, and just plain bad. The stereo mix presents a challenge to the compressor that is unlike processing an individual track. Its charge is to control dynamics on a wide range of sounds without pumping on the kick drum, muddying the cymbals, burying the snare or losing focus on the vocals.

The RMS755 Super Stereo compressor from Roll Music Systems was created for just this daunting task. Its controls are specifically suited for tailoring a mix. We didn't waste time or money on gates, external triggers, and other unrelated functions. Instead, the Super Stereo provides wide and precise control over attack and release time, including a unique dual release mode that allows slower release on long, loud passages while retaining control over fast transient recovery. There's also a switchable 150Hz high-pass filter in the sidechain to avoid pumping on big bass beats. All of this comes together with a superbly transparent response characteristic and pristine audio quality to create one smooth, satisfying dynamics processor that lets you hear the music, not the compression.

When you invest in tools, you want to protect your investment by choosing quality tools that last, like the Super Stereo compressor. A stainless-steel chassis and faceplate with virtually indestructible laser-engraved lettering houses a short, clean signal path with only top-grade amplifiers and components, robust internal power supply, and burly controls that scream quality and reliability. The Super Stereo compressor, now available from Roll Music Systems.