Motu Midi Express XT first generation [eprom v1.05] 8-in/8-out MIDI/SMPTE interface/patchbay/merger, 1995, made in USA

 

Link: oldschooldaw | web.archive | download

MIDI Express(tm) XT: 8-in/8-out MIDI/SMPTE interface/patchbay/merger for Macintosh & Windows ($395)

MIDI interface and SMPTE synchronizer for Macintosh and IBM PC/compatibles running Windows 3.1 or Windows 95. Based on legendary MIDI Timepiece technology. Provides 8 MIDI IN, 9 MIDI OUT, and 128 MIDI channels. Plug-and-play compatible with all Macintosh and Windows software. Parallel port connection to any PC, including laptops (no cards!) Sixteen convenient, one-touch front-panel presets (8 factory and 8 user programmable). Software console for both Mac and Windows provides comprehensive routing, merging, and muting. Converts and stripes SMPTE in all frame formats (24, 25, 29.97 drop and non-drop, and 30). SMPTE jam sync with adjustable freewheeling for drop-out free sync. Supports MIDI Machine Control. Serves as either an MMC master or slave; distributes MMC transport commands to all other MMC devices. Pedal input for momentary foot switch or audio click-to-MIDI conversion. Internal power supply (no wall-warts!).

No other MIDI interface offers this much value at such an affordable price.

Alesis NanoCompressor RMS/Peak stereo compressor/limiter, 1996, made in Malaysia

Link: planetbotch | Owner's Manual [PDF, en]

SPECIFICATIONS

Electrical

Frequency Response: ±1dB from 20Hz to 20 kHz

Dynamic Range: >109dB, "A" weighting.

Distortion: <0.08% @ 1kHz

Crosstalk: better than 70dB below full scale

Input

Number of Channels: 2

Format: 1/4" unbalanced

Nominal Level: -10 dBV (.316 volts)

Maximum Level: +6 dBV

Impedance: 1MΩ, unbalanced

Output

Number of Channels: 2

Format: 1/4" unbalanced

Nominal Level: -10 dBV, front- panel adjustable

Maximum Level: +16 dBV

Impedance: 470 ohms

Output Level Control Range: 48dB

Compression Specs

Threshold of Limiting: -40dBv to +8dBV

Peak Mode Attack Time: 0.1ms to 200ms

Peak Mode Release Time: 50ms to 3 sec.

RMS Attack/Release Times: Program Dependent

Compression Ratio: 1:1 to ∞:1, selectable Hard or Soft compression knee. Front panel ticks indicate 1:1, 2:1, 4:1, 8:1, 10:1 and ∞:1.

Front Panel

Controls: THRESHOLD RATIO ATTACK RELEASE OUTPUT

Switches: Hard/Soft knee, Peak/RMS, Input/Output Meter, Bypass/Comp

Meters:

- Reduction (6 LEDs at -30, -20, -12, -6, -3, -1)

- Signal (6 LEDs at -30, -20, -10, -4, 0, +6)

Rear Panel

Input (LEFT, RIGHT): 1/4" 2-conductor

Output (LEFT, RIGHT): 1/4" 2-conductor

Sidechain: 1/4" Stereo 3-conductor (TRS)

Power: 9 Volt Power Transformer (Alesis P3)

Dimensions (WxHxD): 5.5” x 1.75” x 4.5” (1/3 rackspace)

Weight: 1.25 lbs.

 

 

 

 

 

Alesis Nanoverb 18-Bit Digital Effects Processor [Main PCB REV C], 1996, made in Malaysia

Link: polynominal | soundonsound | Owner's Manual [PDF, Eng] | Owner's Manual [PDF, Ru]

Main PCB REV C отличается от этого экземпляра

OVERVIEW On the front panel, in all and for all, five rotary potentiometers. The first three are for controlling the input, output and mix level used to adjust the balance between the incoming direct signal and the effects of the NanoVerb)- while the last two ones allow you to choose and adjust the desired effect program. Finally, two LEDs display the power-up of the device and the signal input level. 
PSU is a AC-AC 9V (not DC!)

CONNECTION the connection is made via two unbalanced 6.35 mono jack inputs and outputs. It is therefore possible to use it as well in mono as in stereo. A last jack on the rear panel allows you to connect a foot switch (optional) to activate or deactivate the output effects (bypass). No midi sockets, so no remote edit nor save banks.

PRESET sixteen programs which can be selected by turning the rotary selector. These effects are distributed as follows: ten reverbs (three Concert Hall, three Real Room, three Plate Reverb and one Non Linear), a delay, a flange, a chorus, a Leslie-type rotation effect and two combined chorus / reverb effects.

EDIT Quite basic: each program has its own configuration which can be modified using the "Adjust" button e.g you can adjust the delay up to 1270 ms in 10 millisecond steps, control the depth of the chorus or the fall of a reverb.

Lexicon Alex Digital Effects Processor, 1993, made in USA

Link: lexiconpro | Owner's Manual PDF, en | synthxl [Service Manual & Owner's Manual]


Specifications:

Audio Inputs (2)
Level -30dBu minimum
Impedance:
stereo/50 kΩ unbalanced
mono/25 kΩ unbalanced

Audio Outputs (2)
Level:
-2dBu nominal
+8dBu maximum
Impedance: 600Ω unbalanced
Muting: reduces transients during power on/off


Footswitch Connectors
T/R/S phone jack for bypass and register step

Frequency response
Wet: 20Hz-15kHz, +1dB to -3dB
Dry: 20Hz-20kHz, +0.5dB

THD+N
Wet: <0.05% @ 1kHz
Dry: <0.025% @ 1kHz

Dynamic Range
85dB, typical, 20Hz-20kHz bandwidth

Conversion
16 bit linear PCM encoding; 31.25kHz sampling rate

Power Requirements
9VAC, 1A wall transformer provided

Dimensions
19"W x 1.75"H x 4"D (483 x 45 x 102mm)

Weight
2 lbs 11 oz (1.22 kg)

Environment
Operating
Temperature: 32° to 104°F (0° to 40°C)
Storage: -20° to 170° F (-30° to 75°C)
Relative
Humidity: 95% non-condensing

Скульптурный станок | Cтолик скульптора [Стойка, подставка для лепки или экспонирования скульптуры] | Sculptor's Table, made in USSR

Это самый крупный из станков, выпускаемый в СССР.
Чистый вес станка: 27 kg
MIN Высота крайнего нижнего положения столика: 1060 mm
MAX Высота крайнего верхнего положения столика: 1390 mm
Нижний зажим/затвор/замок отвечает за подьем и опускание столика
Верхний зажим/затвор/замок отвечает за блокировку поворота столика
Полка имеет размеры: 400x400x40 mm
Радиус стойки по основанию: 390 mm (от центра к ноге)
Расстояние от ножки до ножки: 680 mm

Oktava MK-012-01 hypercardioid microphone, made in Russia

Link: oktava

The MK-012 is a compact, high quality capacitor microphone with interchangeable capsules to provide a choice of cardioid, hypercardioid or omni-directional polar patterns. The wide, flat response ensures that all sounds are captured with a high degree of accuracy.

A -10 dB pad is included for use in high SPL environments, a low-cut pad is optionally available. The capsules, which screw onto the microphone body, utilise a precision, integral connection system to ensure reliable electrical contact.

The MK-012 is suitable for use in any situation where an accurate sound is required, the small size of the system makes it ideal for use in broadcast, sound for picture, installation, sound reinforcement and theatre situations as well as the recording studio.

In pairs, the MK-012s are perfectly suited for coincident and spaced stereo miking techniques, and also overhead useage in live and studio situations.

Arion (Maxon) MDS-1 Distortion, 2000s, made in Sri Lanka

Link: effectsdatabase | mirosol.kapsi

Controls:
- Level
- Tone
- Distortion

Specifications and Features:
Power Supply: not included
Power Requirements: DC 9V Battery or 100mA - 200mA AC Adapter
Consumption Current: DC 9V 10mA
Input impedance: 800MΩ
Output impedance: 10KΩ or more
Jacks: Input jack, output jacks, AC adapter jack
Dimensions: 73W x 50H x 127D mm
Weight: 300 grams including battery

Behringer V-Tone Driver GDI21 Guitar Amp Modeler/Direct Recording Preamp/DI Box, 2009, made in China

Link: behringer  | Owner's Manual

• Analog guitar modeling preamp/stompbox with DI recording output
• This BEHRINGER product has been designed to compete head to head with leading products on the market
• Authentic V-TONE modeling technology for 3 classic guitar amps, 3 gain modes and 3 mic placements for a total of 27 configurations. Easily achieve the most sought-after tube amp sounds from clean, crunch to super-fat distortion
• Provides a truckload of great amps in a single stomp box - simply choose your favourite sounds with a flick of a switch
• Precise level and drive control plus musical 2-band EQ for ultimate sound
• Dual DI mode for either direct recording output with speaker simulation or standard active direct injection box in bypass mode
• Output available on1/4'' TS or balanced, gold-plated XLR connectors
• Ground lift switch eliminates typical ground loop problems
• Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany

Our authentic V-TONE modeling technology recreates three of the most sought-after classic guitar amps, with three gain modes and three mic placements for a total of 27 possible configurations. You get a truckload of great amps in one convenient stomp box, allowing you to go from clean or crunch to super-fat distortion in a flash.

JOYO Jf-16 British Sound Guitar Effect Pedal [simulator pedal will deliver tones inspired by Marshal amps - everything from Bluesbreaker to Plexi Roar], 2010, made in China

Introduction:
JOYO British Sound guitar effect pedal get tones inspired by the marshal amplifier and whether it's the Bluesbreaker overdrive to Plexi roar, it easily reach for them, one of JOYO most popular pedals with good reason.
You can use it instead of an amp and it can save your gig if your amp fails, just put it at the end of all your other pedals and set it clean like your amp then just take the output from the British sound straight to the desk. 

Choke Oil Filled 5H current up to 200mA

 

Link:

5H 200mA DC
Oil Filled Choke
C Core Construction
DC Resistance 100 Ohms
Weight 1kg
Ceramic terminals and threaded bushings for fastening.

Audio Note Choke-160 10H 125mA, made in UK

Link: hificollective

High quality 10H, 125mA suitable for valve power supply for low/medium powered amplifier. Vacuum impregnated to keep lamination vibration to a minimum.

Flying leads up to 40cm in length. open framed style transformer, for mounting upright, on side on top or inside of the chassis.

DC resistance:
64R

Overall weight:
1.6kg

Overall size:
80mm(w) x 69mm(d) x 69mm(h).

Fixing holes:
Both Footprints: centers on a rectangle of 54mm x 57mm

Adam Professional Audio Desktop Stands (Black)

 

Link: bhphotovideo

These black Desktop Stands from Adam Professional Audio are designed to optimize the acoustics of the F5, A3X, A5X, ARTist 3 and ARTist 5 monitors when used in a desktop setting. The two stands elevate each speaker at an angle and align the tweeters with ear level, reducing desk-surface reflections in favor of the sound coming directly from the speaker.

A non-slip rubber coating on top and underneath the stands ensures that the speakers stay in place, and helps dampen the vibrations between the speakers and the desk. This acoustic decoupling contributes to greater details across the frequency spectrum, improved stereo imaging, and a more accurate low-end response.

Constructed of coated MDF, these desktop stands are well-suited for a home setup, or for the rigors of professional studio use.
Stands elevate and angle monitors to reduce unwanted desk-surface reflections
Non-slip rubber coating keeps the speakers in place, and ensure acoustic decoupling for more accurate listening

Key Features

For A3X, A5X, ARTist 3, ARTist 5, F5
Acoustic Decoupling
Non-Slip Rubber Coating
Coated MDF Construction