Stromberg-Carlson Stereo 24 Tube Integrated Amp (High Fidelity Stereophonic Center ASR 433), 1960, made in USA



Brand Te-Lek-Tor-Et
Year: 1960 ? Category: Audio Amplifier or -mixer
Valves / Tubes 10: 7025 7025 6AV6 6AV6 6U8 6U8 6BQ5 6BQ5 6BQ5 6BQ5
Main principle Audio-Amplification
Wave bands - without
Details
Power type and voltage Alternating Current supply (AC) / 117 Volt
Loudspeaker - This model requires external speaker(s).
Power out
Model: High Fidelity Stereophonic Center ASR 433 - Stromberg-Carlson Co. ;
Material Metal case
Shape Chassis only or for «building in»
Notes Integrated amplifier.

Price in first year of sale 129.95 $



Stromberg-Carlson SR-445 Tube AM/FM Tuner, 1960, made in USA


Link: radiomuseum

Brand Te-Lek-Tor-Et
Year: 1960 ?
Category: Broadcast Receiver - or past WW2 Tuner
Valves / Tubes 10: 6AQ8 6AU6 6AU6 6AU6 EM84 6C4 6BA6 6BE6 6BA6 6AT6
Main principle Superhet with RF-stage
Wave bands Broadcast (BC) and FM or UHF.
Details Hi-Fi equipment
Power type and voltage Alternating Current supply (AC) / 115 Volt
Loudspeaker - For headphones or amp.
Power out
Model: AM/FM Tuner SR-445 - Stromberg-Carlson Co. ;
Material Metal case
Shape Chassis only or for «building in»
Notes
  • AM/FM Stereo (simulcast).
  • This model is made with separate AM and FM chassis attached together.
  • AM (only) model was AM-441, FM (only) was FM-443.


Price in first year of sale 129.95 $
Mentioned in Photofact Folder, Howard W. SAMS (Date 5-61, Set 531, Folder 11)



ACT Sirius 1 / Victor 9000


soft http://www.vcfed.org/forum/showthread.php?11871-ACT-Sirius-1-Victor-9000-Software-transfer&s=d354e58abc23c9c8e3ce193a0865fdff

http://www.old-computers.com/museum/computer.asp?c=210

https://en.wikipedia.org/wiki/Sirius_Systems_Technology#Victor.C2.A09000.C2.A0.2F_Sirius.C2.A01

http://oldcomputers.net/victor9000.html

http://www.actsirius1.co.uk

Canton LE-500, 1974, made in Germany


Link: radiomuseum

Country:  Germany
Manufacturer / Brand:  Canton; Weilrod
Year: 1974 Category: Loudspeaker, headphone or earphone
Wave bands - without
Details 
Power type and voltage No Power needed
Loudspeaker 3 Loudspeakers
Power out
Model: LE500 - Canton; Weilrod
Material Wooden case
Shape Miscellaneous shapes - described under notes.
Dimensions (WHD) 440 x 245 x 210 mm / 17.3 x 9.6 x 8.3 inch 
Notes
  • 3-way hi-fi speaker with 55 watts RMS.
  • Impedance 4-8 ohms.
  • Frequency response 28-25000 Hz
  • Crossover (slope 12/24 dB): transitions at 900 and 4500Hz.
  • Volume: 21.6 liters gross.
  • Finish: natural walnut or polyester coating in white or anthracite. Rundgelochtes Alloy grid. High or to provide cross. Suspension. 5-meter connection cable with standard plug firmly mounted.
Net weight (2.2 lb = 1 kg) 9.4 kg / 20 lb 11.3 oz (20.705 lb)
Source of data -- Original prospect or advert




Thorens Phonocord 506 (is not model 506 SL), 197¿, made in Germany


Link: radiomuseum

60/100 Watt
4-8 ohm
Dimensions: 250 x 270 x 470


Rank Arena HT510, 1972, made in Denmark

 

Link: radiomuseum wegavision.pytalhost


Country:  Denmark
Manufacturer / Brand:  Rank-Arena, Horsens
Brand Arena
Year: 1972 Category: Loudspeaker, headphone or earphone
Wave bands - without
Details
Power type and voltage No Power needed
Loudspeaker 3 Loudspeakers
Power out 20 W (unknown quality)
Model: HT510 - Rank-Arena, Horsens
Material Wooden case
Dimensions (WHD) 250 x 360 x 200 mm / 9.8 x 14.2 x 7.9 inch
Notes
  • 3-Weg-HiFi-Box
  • mit 20 Watt Sinus an 4 Ohm
  • Frequenzbereich: 50-20000Hz.
  • Volumen: 17,5 Liter.
  • Frequenzweiche Übergang bei 1500 und 5000Hz.
  • Gehäuse in Nussbaum, Teak, Palisander, Weiss.

Net weight (2.2 lb = 1 kg) 5 kg / 11 lb 0.2 oz (11.013 lb)
Collectors' prices  

Source of data -- Original prospect or advert

Rank Arena L835, 197¿, made in Denmark


3-way hi-fi box
Power handling 40 W
Music handling 50 W
Impedance 4 ohm
Dimensions: 280 x 200 x 560 mm




Mackie Ultra Automation System Ultramix 34 channel VCA Voltage Controlled Amplifiers

link moultonlabs 

The Mackie Ultramix Automation System is now available at your local pro audio dealer, and it's worth thinking about. If you're running an analog console and 16 or more tracks (and have a Macintosh computer in service), your mixing needs are probably more than rudimentary. Here's a powerful, inexpensive automation system that will do a lot for you with comparatively few problems.

The package will interface with any console, but requires a Macintosh computer (Windows underway), OMS, a MIDI interface and SMPTE/MIDI Time Code to work. Assuming you have all that stuff lying around (and you probably do if you have the above stuff), you can be in the fully automated business pretty easily.

What Is It, Really?

The whole package goes under the name Ultramix Universal Automation System and consists of three elements:
  • the Ultra-34 Universal Automation Interface, a 2 rack-unit VCA (Voltage Controlled Amplifiers)/patchbay package that deals with all of the audio stuff;
  • the UltraPilot Automation Control Interface, a really neat little remote fader package on a 20-foot remote cable; and
  • Ultramix Pro Software for the Mac (also coming soon to a Windows computer in your neighborhood), the data-processing, control, timing and display software for the system.
Basically, you patch audio from the console (usually the accessory insert point) to the Ultra-34, and hook up the MIDI I/O coming from your MIDI Interface as well. There are 34 channels of VCAs available, ostensibly for 32 channels and stereo masters. However, you can patch these any way you wish - it might make sense to have several automated effects sends, for instance. Me, I'm thinking of automating the 24 tape channels and having eight undedicated VCAs at the patch bay to use wherever it makes sense for any given job, plus the stereo master outputs. Whatever floats your boat.

The UltraPilot fader pack consists of 16 nice long-throw faders, plus related record-enable and "soft" keys for a bunch of functions. It is also contains tape transport controls using MIDI Machine Control, if you have that implemented (I recommend using it, because once you get into this, you'll really want to just stay on the UltraPilot while ruling the universe). You switch the faders between channels 1-16, 17-32 and eight group masters-plus-master faders. Incidentally, you can control up to four Ultra-34 units (136 channels!) with a single UltraPilot! Egad, as they say in Micotin commercials! The package is tiny, and really kind of cool. It is very tempting to use it away from the console as a substitute fader set, but that will take much practice, I think.

The software display shows all 32 channels and you can also display the groups and master. At the top are bypass options, tape transport and autolocate functions, a time display and buttons for the various operating modes. The displayed faders are a little extra cool because they show two levels: the actual level of the VCA (in solid color) and the level of the fader on the UltraPilot (a transparent, or "glass" fader). There are zoom controls and a metering option which is nice but not particularly vital.

Timing information comes either from the multitrack (in the form of SMPTE) to the MIDI Interface and from there to the computer, or else from a sequencer in the computer.





Pioneer A-656 Mark mk2 Stereo Integrated Amplifier, 1989-90, made in Japan

Link: hifiengine | elektrotanya

SpecificationsPower output: 70 watts per channel into 8Ω (stereo)
Frequency response: 1Hz to 150kHz
Total harmonic distortion: 0.005%
Damping factor: 70
Input sensitivity: 0.2mV (MC), 2.5mV (MM), 150mV (line)
Signal to noise ratio: 77dB (MC), 95dB (MM), 110dB (line)
Output: 150mV (line)
Dimensions: 420 x 435 x 162mm
Weight: 13.5kg

Downloads
instruction/owners manual
service manual
mkII service manual
mkII service manual (alt scan)

Related Catalogues
HiFi Components

Saba Permadyn 19-200 Greencone 5298 U 8 Vintage Speaker 5 Ohm Alnico - Open Baffle, 1955-62, made in Germany

Link: troelsgravesen | radiomuseum

Country:  Germany
Manufacturer / Brand:  SABA; Villingen
Brand  
Schwer & Söhne, GmbH
Year: 1962 ??
Category: Loudspeaker, headphone or earphone
Wave bands - without
Details
Power type and voltage No Power needed
Loudspeaker Permanent Magnet Dynamic (PDyn) Loudspeaker (moving coil)
Power out
Model: Permadyn 19-200 5298 U 8 - SABA; Villingen
Material Various materials
Dimensions (WHD) 195 x 90 x 195 mm / 7.7 x 3.5 x 7.7 inch

Net weight (2.2 lb = 1 kg) 0.675 kg / 1 lb 7.8 oz (1.487 lb)

TL Audio Ivory-Series 5051 mk 1 Rackmount Mono Pre-Amp Tube Valve Processor EQ Comp

Link: TTX на mk2

Brand: TL AUDIO
Type: Multi-Effects Processor
Model: 5051 Mono Valve Processor

Mono Tube Voice Processor

This mono voice processor provides the ideal front-end for any system by offering a combined pre-amp, compressor, equaliser and noise gate in one easy-to-use package with a digital output. The 5051 compressor section is identical to that of the 5021 and includes hard/soft knee modes, with a four-band EQ section modelled after the legendary TL Audio EQ-1 yielding superb results with an improved optical gate for removing unwanted source noise. The 5051 features no less than six valve stages supplied by three twin-diode ECC83/12AX7A valves running from a sabilised 150V DC power supply. One valve stage in the pre-amp, one in the comp circuit and four in the EQ section.

Atlas Equator Toslink Fibre Optic Digital Interconnect (toslink-toslink) 1m


  • The Atlas Equator Fibre Optics cable is a high quality digital optical cable built using high specification components.
  • As a result the sound quality of the Atlas Equator Fibre Optics is superb, especially given the highly affordable price.
  • Construction of the Atlas Equator Fibre Optics cable begins with a high quality light conducting optical fibre. A thermal barrier protects the delicate fibre from heat warping and a mechanical outer barrier is applied to protect the assembly from damage. The ends are then precision polished in order to reduce harmful reflections. With efficient non deleting light transfer characteristics, the sound quality the Atlas Equator Fibre Optics cable provides, in common with all Atlas interconnects, is full, relaxed and transparent.

SpeaKa (B-Tech) SPC-3 (BT-13PT) Speaker Switch

The Speaka BT-13PT, 4-way loudspeaker selector switch allows you to select any one of 4 sets of speakers, or all at once.
  • For 4 pairs of loudspeakers
  • Clamp terminals take cables up to max 2.5mm²
  • 200W switchable
  • Open circuit resistance 220Ω


Inputs x 1
Input interfaces x 4
Output interfaces Pin connector
Color Silver
Net depth 110 mm
Net width 170 mm
Net height 45 mm
Power supply No power
Switch function Manual