LEL CZ Digital Delay | Лель ЦЗ цифровая задержка устройство для получения звуковых эффектов, 1990, made in USSR

Link: lell | sovietguitars [профилактика / ремонт] | sovietguitars [Owner's Manual]

Гитарная педаль ЛЕЛЬ CZ Digital Delay предназначена для получения эффектов реверберации, холла и флэнджера. Может использоваться с электромузыкальными инструментами или микрофоном. 

Технические характеристики:

  • Входное сопротивление: 100 кОм 
  • Чувствительность: 200 мВ 
  • Номинальное выходное напряжение: 200 мВ
  • Соотношение сигнал/шум, не менее: 65 дБ
  • Время задержки: 0,025 - 0,6 с
  • Соединители: in-out 1/4" mono Jack, AC adaptor Jack 
  • Напряжение питания: DC 9 В, AC adaptor (ЛЕЛЬ БП-9) 
  • Потребляемый ток: 10 мА (DC 9 В)
  • Габариты: 144 x 65 x 86 мм
  • Масса: 0,9 кг


ОС К72П-6 конденсаторы с фольговыми обкладками с фторопластовым диэлектриком

Link: po-nzk

Конденсаторы выпускаются по техническим условиям: ОЖ0.461.024 ТУ (ВП), ЮЯ0.461.010 ТУ (ОТК).
Предназначены для работы в цепях постоянного, переменного и пульсирующего токов.
Конденсаторы выпускаются в цилиндрических металлических корпусах с аксиальными выводами

Изготовляются в исполнении УХЛ
Конденсаторы выпускаются одного типа в соответствии с рисунком

ВНИИРА Рубикон ЗВП 03С Ревербератор цифровой | VNIIRA Rubikon ZVP 03C digital programmable multi-delay, november 1989, made in USSR

 

Link: ruskeys | ruskeys [Owner's Manual, JPG] | Прошивка управляющего процессора цифрового ревербератора "Рубикон ЗВП-03С"




Spirit of St. Louis Travel Series Radio Alarm Clock Art. no.: 543.738, 1990, made in China

 



Country: Worldwide
Manufacturer / Brand: Spirit of St. Louis, S.O.S.L. (brand of Polyconcept)
Year: 1990 ??
Category: Broadcast Receiver - or past WW2 Tuner
Number of Transistors: Semiconductors present.
Semiconductors
Main principle: Superheterodyne (common)
Wave bands: Broadcast (BC) and FM or UHF.
Power type and voltage: Dry Batteries / 3 x 1,5 Volt
Loudspeaker: Permanent Magnet Dynamic (PDyn) Loudspeaker (moving coil) / Ø 9 cm = 3.5 inch Material: Leather / canvas / plastic - over other material
Model: Travel Series Radio Alarm Clock - Spirit of St. Louis, S.O.S.L.
Shape: Tablemodel with Clock ((Alarm-) Clock Radio).
Dimensions (WHD): 130 x 190 x 70 mm / 5.1 x 7.5 x 2.8 inch
Notes: made in china.
Net weight (2.2 lb = 1 kg): 1.1 kg / 2 lb 6.8 oz (2.423 lb)


Dual HS 141 (Dual CV 31 amplifier with Dual 1225 Phono Chassis automatic hi-fi player), 1975, made in Germany

Link: radiomuseum | hifi-wiki | radiomuseum [Dual CV-31]

Оконечный усилитель собран на: 4 x Texas Instruments BD241



Ready-to-setup & ready-to-play home system for playing records, consisting of a Dual 1225 automatic hi-fi player with a Shure M 75 type D magnetic pickup system (cf. item no. 149), an integrated 2x15 W hi-fi stereo amplifier such as Dual CV 31 (no. 224) & 2 HiFi speakers Dual CL 116 with cover Dual CH 6.

Non-binding, approximate retail price: Approx. 870 DM

Special features: Connection sockets for hi-fi decoder amplifier Dual CDV 60 & Dual CD-4 demodulator CD 40. Cover locks in any position with automatic cover. Connection option for cassette or tape recorder (recording and playback) and for radio receiver. Loudspeaker matrix with 4-way stereo/quadro selector switch. The front speakers are automatically switched off when the headphones are plugged in. Color versions: walnut (HS 141), white (HS 141 W).

Boss TU-12 Chromatic Tuner Digital Processing, 1983, made in Japan

Link: boss | roland [Owner's Manual PDF]

In 1983, BOSS introduced the TU-12 - world's first automatic chromatic tuner. We take it completely for granted these days, but a tuner that automatically sensed and displayed the pitch of the note you were playing was truly revolutionary back then. The TU-12 came with an accuracy of +/- 1 cent (that's 1/100th of a semi-tone). With the human ear only being able to discern tonal differences of 5 cents and above, it’s quite literally more accurate than your ear!

The combination of LED display with a traditional tuning needle meant that the TU-12 was extremely quick and responsive to subtle changes in tuning. It also had a built-in condenser microphone for tuning acoustic instruments.


- Highly visible sharp/flat LED indicators, tuning meter for precise information
- Adjustable standard pitch from 440 to 445Hz in 1Hz increments
- Switchable between Guitar/Bass and Automatic Chromatic tuning
- Built-in condenser mic for acoustic instrument tuning

Reference Pitch: A4 = 440 to 445Hz (1Hz step)
Tuning Range: C1 (32.70 Hz) to B5 (987.77 Hz)
Tuning Accuracy: +/-1 cent
Connectors: Input, Output, AC Adaptor
Power Supply: DC 9 V Dry Battery, AC Adaptor
Current Draw: 20 mA (max.)
SIZE AND WEIGHT:
Width: 145 mm
Depth: 53 mm
Height: 35 mm
Weight: 170 g

Intimidation Apex White Edition 2-channel Mixer [designed by Steve Carroll & Denis O'Brien], 1997, made in UK / England

 



Link: think

Circa 1997, Intimidation Apex (White) Mixer. This is a highly regarded analogue 'Battle' mixer, measuring about 9"x9". What makes it attractive in the contemporary field of mixers is that instead of upfaders it has rotary gain pots controlling both channels. Rather than excessive amounts of flashing lights, each channel has but two below the trim pots: a green one tells you the signal is peaking at 0Db, and a red one tells you it's clipping; therefore,  the sweet spot is to have lots of green and occasional red. Each channel accomodates both turntable and line.

phase generator & slaughter chamber



A little follow up by Steve, the founder of Intimidation

Monitor Audio Bronze 3, 2000, made in UK / England



Country of Origin: UK / England
Date of manufacture: 2000
Enclosure Type: 2 way ported baffle design
Power Handling (RMS): 100 Watts
Recommended Amplifier Power: 150 Watts Peak
Frequency Response: 40Hz to 25kHzNominal ± 3 dB
Impedance: 6 Ohms
Sensitivity: 90 dB/W/M
Drivers:
- 1 x 26mm (1") gold dome tweeter
- 1 x 165mm (6.5") metal matrix polymer
Dimensions (WxHxD): 191 x 834 x 229 mm
Weight: 14kg