DACS Audio FwS FREQue II Stereo EQ - Rackmount Analog Ring-Mod Flay's Audio

Link: SoundPure | FREQue II Application Notes | FREQue II User Manual

Manufacturer's Description from DACS

Produce pumping tracks that stand out from the crowd with the FwS FREQue II (pronounced "freak"), a genuinely new and inspirational analogue effects processor.

"In a world filled with plug-ins that do everything, the FREQue II is a processor that few, if any, plug-ins can emulate. The FREQue II is truly a sound designer’s dream. It’ll chew up program material like nothing else out there!" (Alex Artaud review)

Goodmans Module 80 VHF-FM Tuner Amplifier, 1971-1974, made in England

Link: radiomuseum | User's Guide and Diagrams | vintage-radio

Country: Great Britain (UK)
Manufacturer / Brand: Goodmans Industries Ltd.; Wembley, Middlesex
Year: 1971–1974

Category: Broadcast Receiver - or past WW2 Tuner
Semiconductors (the count is only for transistors) Semiconductors present.
Main principle Super-Heterodyne (Super in general)
Wave bands FM Broadcast Band Only
Details 
Power type and voltage Alternating Current supply (AC) / 120; 220; 245 Volt
Loudspeaker - This model requires external speaker(s).
Power out 40 W (unknown quality)
Model: Module 80 - Goodmans Industries Ltd.;
Material Wooden case
Shape Book-shelf unit.
Dimensions (WHD) 557 x 95 x 300 mm / 21.9 x 3.7 x 11.8 inch
Notes

• HI-FI-Stereo Receiver, 2x70 Watt sinus, 2 schaltbare Lautsprecherausgänge(4 Ohm), Kopfhöreranschluß über 6,3 mm Klinkenbuchse, Eingänge: Aux/ TB/ Phono magn., UKW-88-108 MHz, Stereoanzeige, AFC, Ratio-Mittenanzeige, Antenneneingang 240 Ohm, 1 geschaltener Netzausgang für ext. Komponenten, max. Leistungsaufnahme vom Netz 200 Watt 

Net weight (2.2 lb = 1 kg) 8 kg / 17 lb 9.9 oz (17.621 lb)
Price in first year of sale 999.00 DM

Telefunken filter / crossover for TLX / TL series

Marantz SR520 AM/FM Stereo Receiver, 1982-1984, made in Japan

Link: hifiengine

Specifications

Tuning range: FM, MW, LW
Power output: 40 watts per channel into 8Ω (stereo)
Frequency response: 10Hz to 35kHz
Total harmonic distortion: 0.03%
Damping factor: 50
Input sensitivity: 2.8mV (MM), 160mV (line)
Signal to noise ratio: 90dB (MM)
Dimensions: 416 x 100 x 300mm
Weight: 6.2kg
Year: 1982

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Mackie Onyx 1220 12-Channel Mixer (optional Firewire),

Link: linuxstudiopro | FIREWIRE OPTION CARD | tcfurlong | i-series | Schematics |

TWO YEARS IN THE MAKING...

The goal for Mackie's flagship Onyx series of small-format mixers was to bring premium analog sound, expanded features, and streaming FireWire connectivity to both recording and live sound environments. To pull all this off, we started with a team of veteran audio product engineers from the great Pacific Northwest (aka Woodinville, Washington). The Onyx team quickly set out by specifying the highest-quality analog components--from premium op-amps to IC chips costing exponentially more than previous designs. In many cases, we developed components completely from scratch. With Greg Mackie himself steering Onyx mixer layout and design, we took a "real world" approach to the entire process.

ONYX MIC PREAMPS

Because a great mixer starts with great mic preamps, we invested significant R&D efforts into developing our new flagship Onyx mic preamps. These preamps build upon our already-impressive XDR design to meet or surpass expensive esoteric standalone mic pres in terms of fidelity, headroom and transparencyas well as improved radio frequency (RFI) rejection and wider dynamic range.

March UDS Art.: B232 | МАРШ УДС Art.: Б232 - 6 channel analog drum synthesizer [serial #], 1988, made in USSR

Link: ruskeys

Description:

March is an electronic drum kit that consists of synthesizing module, 4 external drum pads on the stands, the pedal for a bass drum with the sensor on the holderr and patch cords.

The synthesizing module has 6 standard channels with the same conditions of sound formation.

Front panel:

• control indicators

- tone (time/frequency)
- HF- LF
- glissando

• ballance

- noise duration
- ON - OFF
- frequency resonance

• level
• # channel(1-6)
• output (1-6)

Right (General dimensions):

• LF-timbre-HF
• volume
• output left/right channel
• headphones

Back panel:

• trigger's inputs (1-6)
• sensitivity
• output (left+right)
• Mains

Voltage - 220 V

Lel UDS Art.: H-139p | Лель УДС Art.: H-139p - 2 channel analog drum synthesizer [serial #0692], July 1987, made in USSR

Link: ruskeys

Description:

The electric percussion instrument Lel`UDS combines a synthesizing module & two drum pads (with rubber surface) on the stand for live playing. It can be used as a supplement to the standard drum module to get synthesized sounds with the possibility to change sound parameters. The main parameters are divided into two groups : TONE & NOISE , which include tone, attack, range, timbre, decay & so on. There is also a sensetivity level, a ballance between noise & tone, a master level. There are some connectors on on the rear panel- 2 trigger outputs and main output.

March UDS Art.: B232 | МАРШ УДС Art.: Б232 - 6 channel analog drum synthesizer [serial #90071296], 1988, made in USSR

Link: ruskeys

Description:

March is an electronic drum kit that consists of synthesizing module, 4 external drum pads on the stands, the pedal for a bass drum with the sensor on the holderr and patch cords.

The synthesizing module has 6 standard channels with the same conditions of sound formation.

Front panel:

• control indicators

- tone (time/frequency)
- HF- LF
- glissando

• ballance

- noise duration
- ON - OFF
- frequency resonance

• level
• # channel(1-6)
• output (1-6)

Right (General dimensions):

• LF-timbre-HF
• volume
• output left/right channel
• headphones

Back panel:

• trigger's inputs (1-6)
• sensitivity
• output (left+right)
• Mains

Voltage - 220 V

RMIF Elsita Art.: H19-077-10 | РМИФ Элсита Art.: H19-077-10 4-channel analog drum synthesizer [serial #1347], April 1988, made in USSR

Link: ruskeys

Description:

RMIF Elsita is an analog drum module (RMIF factory). It contains pads for live playing on the uprights. There are 4 percussion sections in the instrument (from bass drum, snare, to high-hat).

Control on the front desk:

• gain
• tone
• release
• filter
• balance
• tone/noise
• level

The general functional buttons to the right:

• mains indicator
• channels 1-2 or 1+2 (switch)
• channels 3-4 or 3+4 (switch)
• metronome (ON, 0-300)
• main volume

Connectors on the back desk:

• mains
• fuse
• output
• telephone
• sequencer input
• 4 triggers' inputs
• 4 triggers' sensitivities