Technics SB-201, 1972, made in Japan


Link: hifi-wiki


Manufacturer: Technics National
Manufactured in: Japan
Model: SB-201
Years of construction: 1972 - 1975
Colour: wooden housing
2-way 2-speakers, Closed Box
Woofer: 20 cm (8") Linear Core Type EAS-20PL63S 8 Ohm
Tweeter: 10 cm (4") Dome Tweeter EAS-10KH06SA 8 Ohm
Impedance: 8 Ohm
Maximum Input: 40 Watt
Cross Over Frequency: 2 kHz
Sound Pressure Level: 92 dB/Watt
Frequency Response: 35 Hz - 30 kHz
Resonance Frequency: 55 Hz
Dimensions (WxHxD): 310 x 523 x 260 mm
Weight: 11 kg / pcs



Apple Macintosh PlainTalk Microphone 590-0617-A, 1990, made in Japan


Link: wikipedia | Using a Plaintalk microphone for Linelevel-only Macintoshes

Country: Japan
Year: 1990
Name: Apple Macintosh PlainTalk Microphone [590-0617-A]
Model number is 590-0617-A
Features a 3.5mm jack connector

Apple produced two microphones under the product name "Apple PlainTalk Microphone". The first shipped inclusive with Macintosh LC and early Performa models, and was circular in appearance. It was designed to sit in a holder attached to the side of a CRT display, and be lifted out and held by the mouth when talking. The second model was introduced alongside the AV models in the Macintosh Quadra series in 1993 but was also sold separately. It was designed to be positioned on top of the screen and to be sensitive to sound from the front. Both models had a longer connector, the tip of which was used to provide the microphone with bias voltage.

Videoton RA 6363 S Stereo Receiver, 1984-1985, made in Hungary

 

Link: radiomuseum | vintageaudio | users.atw.hu

- >  When you touch your buttons, an electronics mutes the inputs of the power amplifiers, so there is no noise when you switch to the speakers!!! The mute function often remains ineffective due to the oxidized spring contact string built into the buttons. This also applies to the mains switch!!! < - 

Оконечный усилитель собран на: 2 x Motorola TE1819 & Motorola TE1820 (BD 243B & BD 244B)

Country: Hungary

Manufacturer / Brand: Videoton; Székesfehérvár
Year: 1984/1985
Category: Broadcast Receiver - or past WW2 Tuner
Number of Transistors: 53
Semiconductors
Main principle: Superheterodyne (common)
Wave bands: Broadcast, more than 2 SW bands plus FM or UHF.
Power type and voltage: Alternating Current supply (AC) / 220 Volt
Loudspeaker: This model requires external speaker(s).
Power out: 70 W (unknown quality)
Material: Metal case
Model: Stereo Receiver RA 6363 S - Videoton; Székesfehérvár
Shape: Book-shelf unit.
Dimensions (WHD): 440 x 115 x 240 mm / 17.3 x 4.5 x 9.4 inch
Notes:
- Frequency Response: 20Hz to 20kHz
- Distortion: 0.1%
- Speaker Impedance: 4 to 16Ω
- Input Sensitivity: 2mV (mm), 200mV (line)
Net weight (2.2 lb = 1 kg): 10 kg / 22 lb 0.4 oz (22.026 lb)
Source of data: Original-techn. papers.

Hi-Fi stereo modular radio amplifier suitable for receiving K, R1, R2, R3, VHF (66-73 and 88-104 MHz) wavebands. It contains 9 integrated circuits, 44 transistors and 42 diodes. Volume control, with balance, treble and bass controls. Includes AFC, Broadband, Noise Canceling Circuits. Includes a stereo LED and a signal strength indicator. On FM bands, 5 stations can be preset and then selected at the touch of a button. You can connect 2 stereo recorders and a magnetic turntable to its input. You can record from the radio or turntable to a tape recorder or play back between the two tape recorders. Power consumption: without control: 30 W; at full control: 130 W. 

Radio frequency data:
Antenna sensitivity:
KH:  200μV;
RH: ≤100 μV, URH mono: ≤1.9 μV;
VHF stereo: 40 μV.
Selectivity:
Wide band: KH: 36 dB; RH1: 30 dB; RH2-RH3: 28 dB.
Narrow band: KH: 18 dB; RH1: 14 dB; RH2-RH3: 12 dB. VHF: 40 dB.
Mirror selectivity:
KH: 30 dB; RH1: 14 dB;
RH2: 8 dB, R3: 4 dB; VHF: 54 dB.
KF interference ratio from antenna:
AM: 46 dB;
FM: 80 dB.
Frequency transmission:
in the AM band: 100-2,200 Hz (narrow band); 100-4,500 Hz (wideband);
On the FM band: 50-15,000 Hz (-3 dB).
Harmonic distortion in the FM band: ≤1%.
Signal-to-noise ratio:
AM band: ≥45 dB;
On the FM band: ≥55 dB.
Sound attenuation in FM band for stereo reception:
1 kHz: ≥30 dB;
At 10 kHz: ≥20 dB.
Pilot suppression: ≥46 dB.
Demodulation distortion:
on the AM band: 3%;
On the FM band: mono 1%; stereo: 1.5%.
AM signal suppression in the FM band: 38 dB.
Auxiliary suppression: ≥56 dB.
Effect of the noise canceling switch in the FM band: ≥40 dB. 

Audio frequency data:
Frequency transmission:
from a tape recorder ± 1.5 dB at 10-40,000 Hz;
from a magnetic turntable at ± 2 dB: 40-30,000 Hz .
Signal-to-noise ratio:
tape input: ≥52 dB;
magnetic pickup input: ≥46 dB.
Hearing attenuation:
≥40 dB (1 kHz);
≥30 dB (10 kHz).
Intermodulation distortion:0.2%.
Power bandwidth: 40-20,000 Hz.
Harmonic distortion:
measured from high level inputs 0.5 V, 1 kHz: 0.1%;
measured from low level input 5 mV, 1 kHz: 0.15%.
Output power: 2x25 W sine, 2x35 W music.

Launched in 1983, the RT-302 is a small Hi-Fi tower radio amplifier. Akai AP-D 210 / C turntable, Akai CS-F 210 tape recorder, DC 2050 Espeakers, SA-7 stand belonged to the second generation tower. - >  When you touch your buttons, an electronics mutes the inputs of the power amplifiers, so there is no noise when you switch to the speakers!!! < - The transistors were originally Motorola TE1819 and TE1820, which are equivalent to BD 243B, BD 244B. Its predecessor was the RA 6360 S, compared to which the exterior and electronics were modified at several points. Externally, the power switch has changed from a round button to a square one, the upper half of which is just an ornament, fixed. The field strength indicator Deprez has been replaced by a series of LEDs. The round LEDs for tuning and stereo reception have changed to square. Unlike its predecessor, it requires a minimum of 8 ohm speakers.
It was very popular in an age when the buyer had little choice but to listen to a little more demanding music in exchange for a reasonable amount of money. Many of the copies produced have survived the vicissitudes of a changing time and are still more or less successful. However, the model has some type errors. The input stage receives a signal that is too large, causing the output waveform to squared at 2/3 volume. The loudness function cannot be turned off. Due to the excessive depth of the physiological volume control, it produces a powerful sound even at low volumes, which not all neighbors like. - > The mute function often remains ineffective due to the oxidized spring contact string built into the buttons. This also applies to the mains switch!!! < - Another source of error is the BF 244 A type FET on the output stage modules, which is directly at its input. Later, the factory realized this fault and modified the circuit for later types with a different transistor or a resistor. But the transistors BC 337-25 and BC 327-25 for the mute circuit on the control module may also be faulty. However, the mumus has become the tuning FM tuner (and also for the models where this module is used). Numerous theories and attempts have been made to solve the problem, from the senseless replacement of trimmers to the stabilized setting of the required supply voltages to the replacement of the operational amplifier. The factory was also trying to fix the bug. It changed the values ​​of some resistors and trimmers on FM modules manufactured after 1986. These are less prone to attenuation. There is no universal solution. Before repairing, it is advisable to check that the specified voltages are present at all. The specimen shown here keeps the taxes stable, its outputs are repair-free.

Allen & Heath GL 2200 (GL2200-424) Mixing Consoles, made in UK / England


Link: allen-heath | Owner's Manual [PDF, ru]

We built GL2200 to be a ‘go anywhere, do anything’ desk. With its sturdy vertical PCB construction, dual front-of-house / monitor mixing mode switching, 4 groups, 6 switchable auxes, direct outs, line-up oscillator, talkback and more, this console can handle pretty much any live mixing or recording task you can throw at it.


FEATURE SUMMARY
- Dual functionality 
- 4 audio groups 
- 6 aux sends 
- 4 band EQ 
- 4 stereo returns 
- 10 segment batgraph metering 
- Lamp socket 
- PSU. External linear power supply

Download brochures, user guides and other documents for this product.
GL2200 AUX PRE- INSERT MOD 
GL2200 DIRECT OUT PRE- INSERT AND_OR PRE-EQ 
GL2200 DIRECT OUT PRE-FADE 
GL2200 FIT CONECTOR PCB PICS 
GL2200 INTERNAL LINK OPTIONS 
GL2200 PARTS IDENTIFICATION_3 
GL2200 PSU PICS 
GL2200 SERVICE MANUAL 
GL2200 SYS-LINK APPLICATIONS NOTE AP3623 
GL2200 SYS-LINK FIT AP3622 
GL2200 USER GUIDE AP3388_5

Zoom G1X Four Multi-effects Processor with Expression Pedal, 2019, made in China

 



● G1 FOUR offers over 60 built-in effects
● G1X FOUR offers over 70 built-in effects
● 13 amp models for simulating classic rigs
● Up to 5 effects can be used simultaneously, chained together in any order
● Looper for recording up to 30 seconds / 64 beats of CD-quality audio with seamless start and end times
● ZOOM Guitar Lab software for creating, editing and managing effects and patches
● 68 built-in rhythm patterns which can be used in conjunction with the Looper
● 50 memory locations for storing user-created patches
● Auto Save function for automatic saving of all patch parameters
● Onboard chromatic tuner supports all standard guitar tunings, including open and drop tunings
● Input jack accepts standard mono guitar cable (both active and passive instruments supported)
● Auxiliary input jack for connection of personal music players
● Output jack for connection to amp or headphones
● Runs on 4 AA batteries, with alkaline battery life of 18 hours
● USB port for firmware updates, power and connection to ZOOM Guitar Lab

Line 6 Pocket POD The Ultimate Tone for Mobile Guitarists [compact modeling guitar processor], 2007, made in China


Link: line6 [Owner's Manual etc]

About the size of a handheld tuner, Pocket POD is the only personal amp modeling and effects processor packed with over 300 custom presets dialed in by rock stars and professional studio musicians who know great tone. With its 32 classic and modern amp models, 16 cab models, and 16 effects, Pocket POD enables you to create mind-blowing guitar tones wherever inspiration strikes. 

Just pop in 4 AAA batteries and you are on the go, practicing with headphones or jamming with your favorite songs on your MP3 player. Let loose and play it loud with Pocket POD as your multi-effect processor in front of any amp. With Line 6’s advanced A.I.R. II technology, you can even use Pocket POD as a front-end recording device with the same tone used on countless platinum selling albums. 

Pocket POD has a user-friendly design that makes it simple to dial in the tone you’re looking for. To customize your sound even more, plug Pocket POD directly into your computer via USB and download the FREE Pocket POD tone editing software from Line6.com. Take your sound to the next level with Pocket POD by connecting to CustomTone.com, the online destination for guitarists. There you can choose from a library of over 3,000 preset tones, create new tones, and share them with guitarists from around the globe. Experience world-class tone in the palm of your hand.

Apple Wireless Keyboard M9270RS/A A1016 [First generation / 4 batteries], 2006, made in Ireland

Link: wikipedia


Apple iPod Classic 160GB Black MC297LL/A A1238 [6th generation (2nd update)], 2009, made in China

 


Apple Macintosh LC II M1700 + Color Display M1212 + CD 300 M3023 SCSI + Keyboard II M0487 + Desktop Bus Mouse G5431, 1991-1993, made in USA / Ireland / Singapore

 


Link: everymac

Apple Macintosh LC II M1700 16 MHz 68030 processor, 1992, made in Singapore

Apple Color Display M1212, 1992, made in Singapore

Apple CD 300 M3023 SCSI [CD Caddy], 1993, made in USA

Apple Keyboard II M0487 ADB, 1991, made in Ireland

Apple Desktop Bus Mouse G5431 ADB, 1991, made in Ireland

Apple Macintosh LC II M1700 16 MHz 68030 processor, 1992, made in Singapore

 

Link: apple.com | everymac

hard disk SCSI 40mb

8 mb ram + 4 ram motherboard

установлена дополнительная планка видеопамяти