Электроника Venta Фленджер ПЭ-11 | Electronica Venta-Flanger PE-11, 1991, made in USSR

Link: cheesyguitars | effectsdatabase | reverb | upgrade: in/out power supply | sovietguitars [Owner's Manual]

A Russian flanger PE-11. We suggest this one was produced after 1990 since the labeling is in English. The units seems to be a successor of Elektronika FL-01 flanger made by the same factory in the early 80's.
One may wonder what "manual" control does. As far as we know, it brings a little LCD screen with instructions how to use the pedal and when you turn the knob, it scrolls the text. The absence of the footswitch is another trick - there's a little voice sensor you can see on the upper left part of the pedal, and when you scream "Flanger!!!" it turns the effect on and off. Unfortunately, the "manual" and voice control options were broken on this particular pedal, so we had to take our best guess.

Zoom 707 II Guitar Multi-Effects Pedal [with smart media card], 2002, made in China

Link: zoom | Owner's Manual [PDF. en] [PDF, ru] | musicstudio [Description & Review] | Sample File Converter [Windows]

Specification:
Effect Programs: 74 types

Effect Modules: 6 modules + amp simulator + ZNR
Sampler Function:

Maximum recording duration 6 seconds (without SmartMedia)

16-bit linear record/playback
(MOD and REV modules are temporarily turned off when sampler function is used)
Patch Memory:

USER: 6 banks x 10 = 60 (rewritable, with store)

PRESET: 6 banks x 10 = 60

Total 120 patches
Sampling Frequency: 31.25 kHz

A/D Conversion: 20-bit, 64-times oversampling
D/A Conversion: 20-bit, 128-times oversampling
Input:

Guitar input: standard mono phone jack (nominal input level -20 dBm, input impedance 470 kilohms)
AUX IN: miniature stereo phone jack (nominal input level - 20 dBm, input impedance 20 kilohms)
Output:

Combined line/headphone output
Standard stereo phone jack (maximum output level = +3 dBm with output load impedance of 10 kilohms or higher)
Display:

6-position alphanumeric LED display
2-position 7-segment LED display
Power Requirements:

AC adapter (available separately)
9 V DC, center minus, 300 mA (ZOOM AD-0006)
Batteries: IEC R6 (size AA) x 4
Continuous operation: approx. 11 hours (with alkaline batteries)
External Dimensions: 249 mm (W) x 195 mm (D) x 57 mm (H)

Weight: 860 g (without batteries)

* 0 dBm = 0.775 Vrms
* Design and specifications subject to change without notice.

Zoom GFX-707 Guitar Multi-Effects Pedal, 1999, made in Japan

 

Link: zoom | Owner's Manual [PDF, en] | musicstudio [Description & Review]

An effect should enhance the players performance. That has always been the ZOOM vision. However, we have witnessed technological advances that are so complicated that they can actually deprive players of the pleasure of creating sound.In recent years, what appears to be a rebound from the over-reliance on digital technology, there has been a return to a more simplified approach to music creation. The stomp box offers simple operation however lacks variety. Most multi-effect processors are convenient but take hours to create sounds. Until now, no processor has combined the best of both worlds. Convenience and ease of operation is the focus of the new GFX-707.

Zoom 505 II Guitar Multi-Effects Pedal, 2002, made in Japan

Link: zoom | Owner's Manual [PDF, en] [PDF, ru]

The updated version of the classic Zoom 505 multi-effect pedal

Specification:
Year of release: 2000
Built-in Effects: 33 Total – Max 9 simultaneous
Sampling frequency: 31.25 KHz
Display: 2-digit seven segment LED
Number of programs: 36 patches (6 banks x 6 patches)
Controls: buttons
Battery life: Approx. 28 hours
Power consumption: 9V DC, 300 mA AC adapter
Dimensions: 145mm (D) x 125mm (W) x 40mm (H)
Weight: 280g (without batteries)

Adam Audio F5 Active Studio Monitor [nearfields], 2013, Designed & Engineered in Germany | made in China

Link: adam-audio | soundonsound

FEATURE

X-ART tweeter, handmade in Berlin:

- Allows longer operation with fewer signs of fatigue

- Their breakup is prevented by the folded diaphragms, distortions are effectively reduced to a minimum
- Advanced dynamic range due to acoustically effective diaphragm surface that is 2.5 times bigger (compared to a classic tweeter according to the piston principle)

The air velocity ratio of 4:1 during the sound generation by folded X-ART membrane :
- Direct, fast response in the high-range even with complex transients

Lightweight glass fiber/paper sandwich construction of the woofers:
- Excellent transient response even at high sound levels without breakup of the diaphragm

Vertical 2-way system with 5” woofer:
- High resolution of the stereo image

Spacious bass reflex ports on the front:

- Bass reproduction with very low compression
- Allows positioning close to walls

Linear frequency response of 52 Hz to 50 kHz:
- Unbiased reproduction in a wide frequency band

Maximum peak sound pressure level per pair in 1 m ≥106 dB:
- Powerful, compression-free sound reproduction even at very high sound levels

Simple, stepless room acoustic adjustments over 2-band EQ and high pass filter:
Allows optimal adaptation to acoustically difficult listening environments or individual preferences

Analog inputs over XLR/jack combination sockets and RCA:
- Optimized for balanced and unbalanced line signals

Auto Standby Mode:
- Energy saving when not in use

Acoustically optimized cabinet geometry:
- Reduction of unwanted reflections on the cabinets

Compact cabinet dimensions:
- Fits every desktop

Easily mounted on walls with original ADAM Audio wall mount (optional):
- Space saving positioning at any height

Boss PRO PQ-50 Mono Parametric Equalizer 1/2 Rack, 1991, made in Japan

Link: Owner's Manual

Specifications:

Frequency Response:
10Hz to 30kHz +1/-0.5dB (Flat, Level Switch: -10dBm)

Nominal Input Level:
-10dBm/+4dBm (selectable with Level Switch)
Input Impedance:
1ΜΩ
Nominal Output Level:
-10dBm/+4dBm (same as Nominal Input Level)
Recommended Load Impedance: 50kΩ or greater
Total Harmonic Distortion: 0.03% or less (IHF-A, Flat, Level Switch: -10dBm)
Residual Noise Level: -97dBm or less (IHF-A, Flat, Level Switch: -10dBm)
Equalizer Control:
* Center Frequency
- Low: 20Hz to 500Hz
- Low Mid: 125Hz to 2kHz
- High Mid: 500Hz to 8kHz
- High: 2kHz to 20kHz 0.8 to 14
* Variable Range
±20dB OdBm=0.775Vrms

Controls:
- Input Level Knob
- Frequency Control Knob X 4
- Q Control Knob X 4
- Level Control Knob X 4
- Equalizer Switch
- Power Switch Level Switch

Behringer EQ700 Graphic Equalizer Pedal, 2005, made in China

Link: behringer

Now you can use seven EQ tapes to refine your sound and remove feedback! This pedal is convincing with a frequency response of 100 Hz to 6.4 kHz and a generous 15 dB boost / cut. A status LED for effect activation and battery check is included. An electronic on / off switch ensures quiet switching. The power supply is via a 9-volt battery or a DC adapter (not included).

• Floor / foot pedal
• 7 EQ tapes to refine your sound and remove feedback
• Wide frequency response from 100 Hz to 6.4 kHz with generous 15 dB boost / cut
• Status LED for effect activation and battery check
• Operation via 9-volt battery or Behringer PSU-SB DC power adapter (not included)
• Electronic on / off switch for silent switching

Vox Satchurator Joe Satriani Distortion [serial #000448], 2008, made in Japan

 

Link: effectsdatabase | Owner's Manual

VOX is pleased to introduce the first pedal in an ongoing collaboration with guitar icon Joe Satriani.

Drawing on Joe Satriani’s knowledge accumulated from decades of groundbreaking performances, both live and in the studio, VOX unveils a breakthrough in guitar tone – The Satchurator™ distortion pedal. Designed to Satriani’s exact specifications. The Satchurator produces Satriani’s signature tone and adds new features and improvements never before combined in a distortion pedal.

After almost a year of painstaking experimentation and road testing, Satriani and the VOX R&D team discovered the secrets to capturing the ultimate distortion tone in a modern-day pedal. The Satchurator is capable of very high gain levels, but operates more quietly and musically than other modern distortion pedals.

It also preserves the tone and pick-attack of the guitarist plugging into it, regardless of style, from subtly distorted blues tones through classic rock and shred. The result is a professional-quality pedal that recaptures sought-after vintage and modern sounds in a powerful, versatile and extremely musical pedal design.

Ibanez Tone-Lok TS-7 Tubescreamer, 1999-2010, made in China

Link: Owner's Manual | effectsdatabase

The Tubescreamer isn't just a stompbox, it's an institution. Our latest generation Tubescreamer, the TS7, is no exception. With the Tubescreamer's classic subtle-but-smooth overdrive, the TS7 expands the expressiveness of your guitar while maintaining its tonal integrity. Tone adjustments are provided by the classic three knob configuration with an added "hot" switch for an extra gain boost.

The TS7 is the ToneLok version of the legendary Ibanez Tube Screamer. It is designed to add a subtle amount of overdrive to your sound, capable of recreating that much sought-after "breakover" tone associated with vintage tube amplifiers. The TS7 has the exclusive "Hot" switch, which provides an extra amount of saturation for the modern player.

Mosky Golden Horse Overdrive / Boost [Mini Klon Centaur], 2018, made in China

Link: moskyaudio

Mosky Golden Horse Overdrive Guitar Effect Pedal
This overdrive is a beauty! Features treble, output and gain knobs for adjusting the performance of the overdrive effect. True bypass footswitch, housed in a sturdy, compact, metal shell. Based on a very popular overdrive pedal!

TC Electronic MojoMojo Overdrive, 2011, made in Thailand

Link: tcelectronic | Owner's Manual

Features

• Exceptional overdrive pedal offers you extra headroom, precise tone controls and a voicing switch
• Increased circuit board voltage gives dramatically more headroom and dynamics for an incredibly alive overdrive sound
• 4-knob interface enables extensive tonal tweaking while remaining highly intuitive to let you focus on playing
• Voicing switch allows you to choose between the true natural overdrive sound or a juicy tone that backs off the bass a little
• Two-band EQ with active bass and treble knobs lets you really shape your sound
• True bypass allows for optimum clarity and zero high-end loss when the pedal is off
• Easy one-screw battery compartment access
• Compact format fits on any pedal board
• High-quality components to give you extraordinary overdrive tones
• Sturdy die-cast metal case designed for life on the road

DigiTech Bad Monkey Tube Overdrive [Analog Distortion Pedal], 2004, made in China

Link: Owner's Manual

The DigiTech Bad Monkey Tube Overdrive gives your guitar amp a boost just when you need it most! This rugged pedal produces the smooth natural character of an overdriven tube amp while maintaining your guitar's distinct tone. The Bad Monkey gives you the flexibility to boost or cut frequencies for just the right sound.

DigiTech Bad Monkey Tube Overdrive at a Glance:

• Tube sound from a foot pedal!
• Boosts signal while it shapes your tone
• Easy-to-use 4-knob setting controls plus On/Off switch
• Unique dual outs with cabinet emulation
• Reliable, long lasting battery life or AC adapter power

E-mu XL-7 Command Station [Proteus 2000], 2001, made in USA

Link: muzoborudovanie | vintagesynth | soundmechanics [problem's]

SPECIFICATIONS
Polyphony - 128 voices
Oscillators - 32 MB "X-Lead" Techno soundset (expandable to 128 MB via 3 additional ROM expansion slots), Sample-Playback with Z-Plane filters
Effects - 24-bit dual stereo-effects processor with 29 reverbs types, 15 delay types, 8 chorus types, 7 flange types, 5 distortion types
Filter - 50 types of 6th- and 12th-order Z-plane filters
Arpeg/Seq - Sequencer: 16 tracks, 1024 patterns (up to 32 bars each); 512 songs; 300,000 note capacity; 384 ppqn resolution
Arpeggiator: 32 Simultaneously available arpeggiators with up, down, up/down, forward assignable, backward assignable, forward/backward, random, 200 preset patterns, 100 user patterns
Keyboard - 13 velocity and aftertouch sensitive pads
Memory - 512 ROM, 512 user
Control - MIDI IN/OUT/THRU (32 channels); Import/Export Standard MIDI File Type; and Type 1; USB port
Date Produced - 2001

Atoll Electronique PH100 Phono Preamplifier MM/MC Silver, 2020, made in France

Link: atoll-electronique | Owner's Manual

Atoll PH100 Phono-Stage MM/MC

The Phono-Preamp PH100 ​​fulfills all the wishes of a real vinyl enthusiast.

In its robust steel housing with a 4mm aluminum front, the sensitive amplifier electronics are protected from interference and interference fields.

The power supply is separate for each channel with transformers from the Atoll top range. 4 voltage stabilizers filter all unwanted interference.

The preamplifier electronics is completely made up of discrete components (no OpAmps!) And does not require sound-reducing coupling capacitors.

MM and MC low- or high-level pickups can be connected - an adjustment of the input impedance and input capacitance is possible.

The PH100 ​​can be used with any device that has a free RCA input.

Peculiarities:

• Dual mono design
• Discrete element base
• Flexible parameter setting

Technical specifications

•   Applicable pickups: MM / MC
•   Input impedance: 47kΩ or 100 kΩ
•   Input capacitance: 100 pF or none
•   Gain MM: 40 dB
•   MC high gain: 47 dB
•   MC low gain: 60 dB
•   THD distortion: 0.05%
•   Linearity: +/- 0.1dB
•   SNR: 80 dB
•   Channel separation: 85 dB
•   Sensitivity (in IN100): 1.5 mV
•   THD distortion: 0.05%
•   Power supply: 9.6 VA
•   Dimensions: 320x65x220 mm

Apogee Duet FireWire 24-bit / 96 khz Audio Interface (Mac OS Big Sur 11.5.4), 2007, made in USA

  

Link: apogeedigital | [Owner's Manual, PDF]

Work in Mac OS Big Sur 11.5.2-11.5.4

Key Features

• 2 Channel Input
• 2 Channel Output
• 24-Bit/96kHz
• Mic Inputs with 48V Phantom Power
• Bus Powered
• Mac OS X

Duet from Apogee is a FireWire interface for Mac OS X and features two microphone inputs, each with phantom power and up to 75dB of gain. This allows the user to record a vocal track while playing guitar or keyboard, record an acoustic track in stereo, or even capture a live concert. Duet also features dual, 1/4" high impedance inputs that are ideal for any combination of two instrumentalists - guitar and bass, bass and keyboard, guitar and guitar, etc.

Although somewhat limited in I/O, the main strength of the unit is the prized Apogee conversion. And its multi-function controller knob, combined with the included Maestro Control software is capable of performing a broad range of functions - from assigning the operating levels of the inputs, to controlling the levels of the inputs and outputs, selecting sample rates, and defining the four virtual MIDI controllers.

Duet's studio reference-quality sound combined with simple and powerful control features make it an ideal choice for creating music, creating podcasts, or simply delivering the ultimate iTunes listening experience. The system works with any Core Audio-compatible application, but provides especially close integration with Apple's OS X, GarageBand, Logic and Soundtrack Pro.

Monacor SA-500 Solid State Stereo Amplifier (OEM Version Monacor / Monarch SA-500) [Germanium Transistors], 1969, made in Japan

Link: radiomuseum | Infrequent Sound | hifi-wiki

Оконечный усилитель собран на: 4 x Sanyo 2SB407 (4B)

Наверное, самое ужасное, читать графики но не слушая звук, из первых рук (конденсаторы промеряны):

Country:

United States of America (USA)

Manufacturer / Brand:

Monarch Electronics Int. Inc.; North Hollywood, CA

Year: 1969-1975 ??

Category: Audio Amplifier or -mixer
Semiconductors (the count is only for transistors) Semiconductors present.
Reception principle Audio-Amplification
Wave bands - without
Details 
Power type and voltage Alternating Current supply (AC) / 110; 117; 220; 240 Volt
Loudspeaker - This model requires external speaker(s).
Power out 25 W (40 W max.)
Model: Solid State Stereo Amplifier SA-500W - Monarch, Bremen
Material Wooden case
Shape Book-shelf unit.
Dimensions (WHD) 380 x 130 x 280 mm / 15 x 5.1 x 11 inch
Notes 

Inputs:

• tuner
• phono
• magnet
• phono
• crystal
• band.
• KH port front.
• Stereo-mono switchable.

Siehe auch das Modell Monarch Electronics Int'l SA-500W.
Net weight (2.2 lb = 1 kg) 9 kg / 19 lb 13.2 oz (19.824 lb)