Line 6 floor board (flbr) Rev. A, 1996/2003, made in Malaysia

Link: line6 | support page | Operation Guide

The Floor Board has two main modes of operation: Channel Select and Effect On/Off. Effect On/Off gives you instant direct access to your Digital Guitar Amplifier System's effects. Step on one of the sturdy steel Effect On/Off switches and the amp instantly responds by turning that effect on or off, just like a classic effect stomp box. Red lights above each Effect On/Off switch show you whether an individual effect is On (light on) or Off (light off) so you can see the details of your Channel's setup at a glance.

The Floor Board's two built-in continuous pedals control the Wah and Volume effects of the Digital Guitar Amplifier System. The Wah Pedal includes a toe-down on/off switch just like a classic wah pedal, and its tone is modeled after* a vintage Vox™ wah for a very musical, expressive sound. The audio signal from your guitar doesn't go through the Floor Board - these are just remote controls for the Digital Guitar Amplifier System's processing. That means the guitar signal always stays inside the amp and in the digital domain, safe from the kind of hum and interference that you can get when using traditional pedals on-stage.

The Floor Board gives you the same Tap Tempo control of effect times as you get from your Digital Guitar Amplifier System. With the AX2, Tap Tempo controls the speed, or tempo, of your delay effects. Just tap a couple of times on the TAP TEMPO stomp switch. Now the individual echoes of your delay will happen in time to the tempo you just tapped on the switch. You can store the new delay time with the Channel if you like, so that it will be recalled the next time you choose that Channel. With a Flextone, POD, or Spider the Floor Board Tap Tempo control can also be used to set the speed of your other effects, just like the Tap Tempo button on the Flextone top panel.

Arturia MiniBrute analog synthesizer [Restoration], 2012, made in China

Link: arturia | soundonsound

Main Features

• Monophonic synthesizer
• 100% Analog Audio Signal Path
• Steiner-Parker 2 pole Multimode Filter (Low Pass, Band Pass, High Pass and Notch)
• Voltage Controlled Oscillator with Sub-Osc (Square, Sine, -1 & -2 oct)
• Oscillator Mixer (Sub, Sawtooth, Square, Triangle, White Noise, Audio In)
• Signal Enhancers :
• Pulse Width Modulation
• Ultrasaw generating shimmering sawtooth waveforms
• Metalizer bringing extreme triangle harmonics
• Brute Factor™ delivering saturation and rich harmonics
• LFO1 with 6 waveforms (Sine, Triangle, Sawtooth, Square, Random Square, Random Sine) and bi-polar modulation destinations (to PWM & Metalize, Pitch, Filter, Amplifier)
• LFO1 clock syncable to Arpeggiator (Arpeg, or free).
• LFO2 with selectable rate and 3 vibrato modes (trill up, trill down, sine)
• Two ADSR Envelope Generators with selectable slow/fast speed (from 1 millisecond to more than 10 seconds)
• Keyboard Tracking on the VCF Cutoff
• 25 note semi-weighted keyboard with aftertouch (assignable to Cutoff or Vibrato amount)
• Mod Wheel (assignable to Cutoff, Vibrato, or LFO amount)
• Pitch Wheel (with selectable bend range)
• Octave selector from -2 to +2 octaves
• External Analog Audio Input
• CV In/Out :
• CV Inputs: Pitch, Filter, Amp
• CV Output: Pitch (tracks the keyboard and pitch wheel)
• Gate In/Out
• Gate source selector (Audio/Hold/Keyboard)
• MIDI In/Out with 5 pin DIN connectors
• USB MIDI In/Out
• 1/4” Audio Output and 1/4” Headphone Output
• Full Function Arpeggiator:
• 4 modes of arpeggiation
• 4 octave range control
• 6 step divisions
• 6 Swing positions
• Hold function
• Tempo knob
• Tap tempo
• MIDI Sync
• Rugged Aluminium enclosure
• 12V DC 1A power

In the Box

• MiniBrute synthesizer.
• User manual.
• Preset sheets.
• Power supply.

Size & weight

• Instrument size : 325x390x70mm (12.79 x 15.35 x 2.76 inch).
• Instrument weight : 4 Kg (8.8 lbs).

Arturia MicroBrute analog synthesizer [Restoration], 2013, made in China

מְנוֹרָה‏

Link: arturia | soundonsound

Keyboard: 25-note minikey
Synthesizer Type: Analog monophonic synthesizer
Polyphony: Monophonic
Filter: Steiner-Parker 2-pole multi-mode filter (low pass, band pass, high pass) Brute factor control
Oscillator Type: Analog voltage controlled oscillator
Oscillator Mixer: Overtone sub/5th generator, sawtooth, square, triangle, audio in (on rear panel)
Oscillation Mode: Pulse width modulation, Ultrasaw, Metalizer
LFO: LFO with 3 waveforms (sine, sawtooth, square), clock syncable to arpeggiator (arpeg, or free)
Envelope Control: ADSRenvelope generator
Keyboard Tracking: Yes, on VCF cutoff
Mod Wheel: Yes, assignable to cutoff, or LFO amount
Pitch Wheel: Yes, with selectable bend range via software
Octave Selector: Yes, from -2 to +2 octaves
Analog Audio Input: 1/4" analog audio input
Analog Audio Output:
- 1/4" audio output
- 1/8" headphone output
CV In/Out Controls: CV in jacks: pitch, filter, subharmonics, pulse width, metalizer, saw animator
CV out jacks: pitch, envelope, LFO

MIDI: MIDI in with 5-pin DIN connector

USB MIDI: in/out

Native Instruments Rig Kontrol 2, 2006, made in China

 

Link: soundonsound

GUITAR RIG 2 from Native Instruments is a guitar and bass studio that includes amplifier and cabinet emulation software, software effects and a hardware foot-controller with an integrated high-end audio interface. The selection of eight legendary amps, twenty-five cabinets and nine microphones leaves nothing to the imagination.

Thirty-five effect units and a range of specialist components deliver unique potential. The components of the virtual processor are assembled by simply dragging and dropping them into the virtual rack and arranging them into the desired order. A wide range of distortion, modulation, delay, reverb, pitch and volume effects allow the sound to be tuned, twisted and tweaked.

The RIG KONTROL 2 foot-controller has six foot switches and a multi-functional pedal with an extra switch. Integrated into the controller is a high-quality audio interface with inputs optimized for guitar and bass pick-ups. A "Loop Machine" function allows the player to create and play back loops on the fly. Aside from trying out ideas, the player/recorder allows for layering different leads, riffs and rhythms on top of one another and gradually building up entire guitar sections/textures.

• Eight renowned guitar and bass amps perfectly emulated in stunning detail 
• Fifteen guitar and six bass cabinets, four rotary speakers and nine microphones, all based on much celebrated hardware originals
• Thirty-five effects of meticulously modeled stomp boxes, distortion and volume pedals and other popular units
• Loop Machine allowing recording, playback and layering of loops on-the-fly
• Modifiers such as LFOs, step sequencers, envelope followers and multi-step envelopes 
• Dynamic Tube Response technology delivers powerful tube sounds
• Highly flexible, intuitive and easy-to-use "rack" concept based on drag and drop
• Integrated metronome, tuner and multiple tapedeck modules 
• Huge selection of presets covering all styles
• RIG KONTROL 2 included - sturdy USB foot-controller with seven switches and one pedal and an integrated high-quality audio I/O, D.I. box and headphone jack
• Real-time control of all parameters, LED displays current preset
• MIDI in / out and dedicated jacks allowing extra controllers or pedals to be connected

Akai GXC-709D Stereo Cassette Deck, 1977-1979, made in Japan

Link: hifiengine

Specifications
Type: 2-head, single compact cassette deck
Track System: 4-track, 2-channel stereo
Tape Speed: 4.76 cm/s
Heads: 1 x record/playback, 1 x erase
Motor: electronically speed controlled DC
Tape Type: type I, CrO2, FeCr
Noise Reduction: B
Frequency Response: 35Hz to 16kHz (FeCr tape)
Signal to Noise Ratio: 61dB (dolby B)
Wow and Flutter: 0.06%
Total Harmonic Distortion: 2%
Input: 70mV (line), 0.3mV (mic)
Output: 0.41V (line)
Semiconductors: 28 x transistors, 36 x diodes, 2 x FET, 2 x IC
Dimensions: 440 x 165 x 285mm
Weight: 6.5kg

Line6 GuitarPort USB Electric Guitar Audio Interface [rev. C], 2000, made in China

 

Link: Owner's Manual | Soft

GearBox v 3.72 + Pod Farm v 1.12 + Pod Farm 2 v 2.59 работают под Mac OS 10.7.5 без каких либо проблем.
К учётке привязывается.
Line 6 License Manager v1.13 (на v1.14 не обновляли).
Line6 Monkey v 1.78.

Nackeboards MC-24 USB MIDI controller, made in Russia

Link: nakedboards

Corresponding Software: VCV Rack, Ableton Live, Apple Logic, Apple GarageBand, Steinberg Cubase, Max/MSP, Pure Data, NI Reaktor, Cakewalk SONAR, Avid Pro Tools, MOTU Digital Performer and other software that can be controlled by control change messages.

Supported hardware: Elektron (Digitakt, Digitone, Octatrack), Akai MPC, Native Instrument Maschine and others.

Supported OS: Mac OS X 10.4 or later, Windows XP/ Vista/ 7/ 8/ 10/ 11, Linux 2.5 kernel or later, iOS

Connectors: USB, MIDI out 3.5mm mini-jack
Dimensions: 237x111x50 mm
Weight: 620 g

Digidesign M-box 2 Micro USB Interface, 2007, made in China

Link: soundonsound | ixbt | avidtech [drivers] | добавлен архив родного DVD с ProTools LE

Digidesign MBox2 Micro - about the size of a typical USB flash drive, Mbox 2 Micro offers high-quality sound, a 1/8 inch stereo output for headphones or speaker monitoring (no audio inputs), and a convenient volume wheel for quick adjustments.

While it doesn't offer any audio inputs, Mbox 2 Micro does come with award winning Pro-Tools LE software, Bomb Factory and DigiRack plug-ins, and Digidesign's Xpand sample-playback/synthesis workstation, enabling you to work with Pro-Tools sessions and compose wherever inspiration takes you. USB (1.1) bus powered. Compatible with Windows XP/Vista and Mac OSX.

Digidesign® Mbox® 2 Micro is the smallest, most portable Pro Tools LE® editing, sequencing, and mixing system ever. About the size of a typical USB flash drive, the device offers high-quality sound, a 1/8-inch stereo output for headphone or speaker monitoring (no audio inputs*), and a convenient volume wheel to give all Pro Tools|HD®, Pro Tools LE, and Pro Tools M-Powered™ users the freedom of true editing, sequencing, and mixing mobility. Whether you’re looking to edit and mix studiocreated or live sound Pro Tools® sessions on the go, or create loop-based or virtual instrument-driven music, Mbox 2 Micro lets you work on your music and audio projects wherever inspiration takes you.

Mbox® 2 Micro sports a slick yet rugged anodized aluminum casing that’s small enough to fit in any size pocket, making it the ultimate mobile Pro Tools® editing and mixing solution.

Ultra-portable, anodized aluminum design for on-the-go editing, mixing, and music creation
High-quality sound up to 24-bit, 48 kHz (higher sample rates require pre-conversion)
1/8-inch stereo output jack for headphone or speaker monitoring (no audio inputs*)
Convenient volume wheel for quick headphone adjustments
Powered by USB (USB 1.1 connection, includes USB extension cable)

Audio Outputs
Connector: One 1/8” stereo jack
(for headphone or speaker monitoring) with volume control
Maximum Output: +3 dBV into 600 Ohms
Frequency Response: -2/+0 dB, 20 Hz – 20 kHz
Dynamic Range: 103 dB A-weighted (THD+N: 0.002%)

Digital Specifications
Supported Sample Rates: 44.1, 48 kHz
Maximum Word Length: 24 bit
Host Connection: One USB 1.1 type A connector (extension cable included)

Size / Weight / Power
Height: 3-1/2"
Width: 1-1/4"
Depth: 7/16"
Weight: 1.2 oz.
Power Requirements: Powered by USB bus only