Empress Effects Reverb, 2016, made in Canada


Link: empresseffectsUser Manual | Download Firmware

Overview
Realistic simulations of spaces, as well as never-before-heard surreal ambiances are represented with stunning sound quality. Sporting stereo ins and outs, a small footprint and all the controls at your finger-tips, it strikes the perfect balance of control and ease of use, avoiding laborious menus. Presets, the versatile control port, and MIDI open up a world of possibilities for live performances. Whether you're looking for a classic spring, realistic room or new sonic flavors to expand your creativity, this pedal delivers. And....it's got a beer mode!


Features
  • 32 studio quality algorithms as of firmware 6.0 and counting - The pedal has 12 algorithm types, some include multiple variations. For example, vintage and studio plate, dark and bright springs. Also, as more algorithms get added you can update your pedal via the SD Card. It's the pedal that keeps on giving. 
  • Pristine Classic Sounds - pristine sounding classic hall, plate, spring and room sounds that rival or surpass studio units costing many times more. 
  • Ambient Sounds - A complete palette of tweak-able ambient sounds that offer the creative player so much territory to explore and make their own. 
  • Easy to use and fast to dial in - All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus. 
  • Tap Functions - many algorithms have infinite hold settings or the ability to tap in delay time. 
  • Low Noise signal path - Features a signal to noise ratio of >104dB and maintains an analog dry path. 
  • Up to 35 Presets - Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy. 
  • 2 Preset Modes - Bank style or scrolling style preset modes. 
  • True Bypass and Buffered Bypass - It can be configured to run with true bypass or buffered bypass if you want to hear trails. 
  • Cabinet Simulator - 3 variations to choose from, perfect for recording, practicing or for gigs without an amp. 
  • Output Transformer - Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops. 
  • High Quality Audio - 48kHz sampling, with 24 bit conversion and 32 bit internal processing. 
  • Analog Dry Path - Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!) 
  • Unsurpassed Connectivity - The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack! 
  • Advanced Configuration Menu - The Advanced configuration menu lets you configure how your reverb works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control port control(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more! 
  • Small Size - The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.

Yamaha FX550 Guitar Effects Processor [Version 1.0], 1992, made in Japan


Link: Owner's Manual [PDF, multilanguage] | elektrotanya [service manual]


Specifications

ELECTRICAL CHARACTERISTICS

Freq. Response: 20 Hz ~ 20 kHz 
Dynamic Range: 85 dB effect OFF
Distortion: Less than 0.1% @ I kHz, effect OFF, max. output

INPUT
Number of Channels: I (mono), Unbalanced
Nominal Level: -20 dB
Impedance: 1 MOhm
Connector: Phone jack (Front, Rear)

OUTPUT
Number of Channels: 2 (stereo out), Unbalanced 
Nominal Level: -20 dB
Impedance: 2kOhm
Connector: Phone jack (Out L, Out R)

HEADPHONE
Number of Channels: 2 (stereo out), Unbalanced 
Nominal Level: -22 dB
Impedance: 150 Ohm
Connector: Stereo phone jack

A/D CONVERTERS
A/D: 16 bit 
D/A: 16 bit
Sampling Frequency: 44.1 kHz

MEMORY
Preset Program: 50 (Prog. No. 1 ~ 50)
User Program: 50 (Prog. No. 51 ~ 99, 00)

EFFECT
Compressor/Limitter, Distortion/Overdrive, 3-Band Parametric Equalizer, Amp Simulator, Stereo Chorus, Stereo Flanger, Symphonic, Auto Pan, Tremolo, Rotary Speaker, Tempo Modulation, Stereo Pitch 1, Stereo Pitch2, Ping-Pong Delay, Stereo Modulation Delay, Reverb, Delay -I- Reverb, Delay —> Reverb, Delay, Tempo Delay

FRONT PANEL
Switch: POWER
Button: COMP, DIST, EQ, MOD, REV, ▲,▼, ◄ , ►, PLAY, EDIT, BYPASS, STORE, UTILITY
Control: INPUT LEVEL
LCD: 15-character x 2-line, Program Number, Bypass
Indicator: PEAK, SIGNAL, COMP, DIST, EQ, MOD, REV, BYPASS, EDIT, UTILITY
Connector: INPUT

REAR PANEL
Control: PHONES LEVEL
Connector: DC 12V IN, TUNER OUT, OUTPUT L (MONO), OUTPUT R, PHONES, MIDI IN, MEMORY INC/DEC (TRIGGER), BYPASS

POWER SUPPLY: DC 12V
DIMENSION (W x H x D ): 220 X 45.2 X 267.5 mm (8.66 x 1.78 x 10.5 ")
WEIGHT: 1.4 kg (3.09 lb)
ACCESSORY: AC Adaptor PA-1207U (U.S & Canadian Models, 120 V AC) / PA-1207H (General Model, 220/240 V AC)
* 0 dB = 0.775 Vr.m.s.


Aria Pro ii CS-350 Cardinal Series Original Custom Body Pat.No 555719, 1981-1983, made in Japan

Link: 

  • колки родные Aria Pro ii
  • датчики родные Aria Pro ii
  • накладка грифа чистилась последний раз при смене струн
  • струны Ernie Ball power Slinky 2245 / калибр .011
  • под бридж установлена проставка из фанеры формована на лазерном станке для того что бы седла стояли высоко как в оригинале
  • заменены седла в бридже на Graph Tech made in Canada / оригинальные седла в довесок из порошковой металлургии (одно сломано) [Все доступные в музмагазах седла имели недостаток диапазона в 4мм как минимум]
  • штамп на бридже 1979 год
  • штамп на некплейте 1120179 made in Japan
  • на пере грифа Original Custom Body Pat.No 555719
  • есть сколы / микросколы со всех сторон
  • наклейка на деке уже как лет 10 висит - она не закрывает дефекты - а просто есть сама по себе
  • за 40 лет истории гитары - гриф в боках ровен / по горизонту очень незначительное отклонение которое роли не играет
  • на студии эта гитара появилась чуть более 10 лет назад


Оригинальные седла очень высокие со старта, но так как металлургия порошковая - на фото показано что с ними происходило, все покупные седла имели недостаточный запас по высоте. установлены костяные оффсетные Graph Tech made in Canada (оффсетные это значит болт не по центру входит, и это совпадает с геометрией оригинальных седел) / родные седла остались!!! из них одно сломано!!!

Отдельно надо рассказать про распайку. Она полностью заводская.

Датчики стоят родные (меют какой-то свой собственный прикол).

Гибсоноподобный переключатель делает обычную работу - бридж, бридж+нек, нек.

Верхний маленький тумблер делает отсечку (превращает хамбакеры в синглы)

Нижний маленький тумблер - противофаза.

Чтобы эффект от него был заметен, надо:

1. Включить оба датчика

2. Переключить в режим синглов

Тогда этот тумблер будет переключать что-то вроде между последовательным и параллельным подключением этих крайних синглов. Что-то вроде той магии, которая происходит при "4-позиционной модификации для телекастера".


Boss RSD-10 Digital Sampler / Delay 1/2 Rack, 1986, made in Japan



Link: bossarea | muzines | Owner's Manual [PDF, en]

Specifications:

Input Level/Input Impedance:
-20dBm/1MΩ, -10dBm/47kΩ
Output Level/Output Impedance: -20dBm/2kΩ, -10dBm/2kΩ
Output Load Impedance: More than 10kΩ
Type of A/D/A Converter: 12 bit + analog logarithm compression
Sampling Time: Max. 2,000ms
Delay Time: 2 to 2,000ms

Frequency Response:
- Direct: 10 Hz to 30 kHz (-3 dB)
- Sampler/Delay: 20Hz to 7kHz (-3 dB) (Fine x 0.25)

Residual Noise: -95dBm (IHF-A, Level Switch: -20dBm)
Input Range of the External Pitch Control: C5 (523Hz) to C7 (2093Hz)

Controls:
- Delay Range/Sampler Mode
- Delay Time Fine/Sampler Pitch Playback Trim
- Feedback/Overdub Level Dealy/Sampler Level

Switches:
- Power
- Effect (On/Off)
- Level (-20dBm/-10dBm)

Jacks:
- Input (Standard phone, Pin)
- Output (Standard phone, Pin)
- Pitch Control Input (Standard phone, Pin)
- Pad Control Input (BP-1)
- Trigger Control Input (as well used for the DP-2)
- Effect Remote (On/Off)
- AC Adaptor (IN, OUT)

Indicators:
- Power
- Effect
- Overload
- Recording

Power: 9V DC (BOSS PSA-120, 220, 240)
Durrent Draw: 100mA
Dimensions: 218 (W) x 169 (D) x 44 (H) mm 8 9/16" X 6 11/16" X 1 13/16"
Weight: 1kg/2 lb 3oz

Accessory:
- DC Cord (0.5m)
- Rubber Feet (x4)

Options:
- AC Adaptor BOSS PSA-120, 220 or 240
- Pedal Switch DP-2
- Foot Switch FS-1
- Pad Controller BP-1
- Rack Mount Adaptor RAD-10 (Micro System Rack BMR-5)

Waldorf Rocket Synthesizer, 2012, made in Germany




Link: waldorfmusic | FirmWare & Manual's | soundonsound [reviews]


Specifications:
  • Analog multimode-filter (VCF) with Low Pass / Band Pass / High Pass
  • VCF-input
  • Highly flexible oscillator-section with pulse width modulation and hard sync
  • Up to 8 oscillators in unison for chords or Ultra High Density Sawtooth
  • Low Frequency Oscillator (LFO) for modulation
  • Envelopes for VCA, VCF and Sync
  • Booster circuit to generate aggressive sounds
  • Arpeggiator with different rhythmic patterns
  • Glide
  • USB powered
  • MIDI in and out
  • Extensive control panel with high-end pots and switches
  • Control via MIDI and USB
  • MIDI clock sync
  • Line output
  • Loud headphone output
  • Launch key for easy pre listening

Line 6 M5 Stompbox Modeller [Delay + MOD + Distortion + Filter + Verb], 2011, made in China

 

Link: line6 | Owner's Manual | musicradar [reviews]

The M5 Stompbox Modeler from Line 6 is a single stompbox that delivers 100+ distortions, choruses, reverbs and other expressive effects in a single-pedal-size unit. Although it runs one effect at a time, it has a complete collection of modern and vintage effects that are delivered with excellent sonic integrity. A universal tap tempo function controls all time-based effects.

Operation of the pedal is simple and intuitive. There are no menus, saving or hassles. Tweak your tones on the fly using the dedicated knobs, and when powered down the settings remain, just like a regular stompbox. Its inputs and outputs integrate seamlessly into any pedal board, MIDI setup, or live, studio or rehearsal situation. The solid construction assures survival from the rigors of the road.

  • Over 100 modern and vintage stompbox effects from a single pedal
  • Simple one-effect-at-a-time design
  • 19 delays, 23 modulations, 17 distortions, 12 compressor and EQs, 26 filters, and 12 reverbs
  • No menus, no saving, no hassles - dedicated knobs control each effect parameter
  • Turn a knob and your settings remain, just like an analog stompbox
  • Tap Tempo syncs for time-based effects
  • Built-in chromatic tuner
  • True analog or DSP bypass
  • Heavy-duty all-metal chassis and footswitches

Yamaha CP-20 Electric Piano Keyboard, 1977, made in Japan





Модель CP20, выпущенная в 1977 году, в основном повторяла CP30, но имела немного другой дизайн (форма корпуса очень напоминает стрингс-синтезатор SS30), клавиатуру в 61 клавишу и другой набор пресетов (два фортепиано и два клавесина). Кроме того, она отличалась отсутствием второго канала и, соответственно, имела только один выход (что делало ее практически полным аналогом электропиано Roland MP-600). При этом инструмент все равно имел внушительные габариты (1080 x 571 x 155 мм), весил лишь на 14 кг меньше, чем CP30, и стоил лишь на 500$ дешевле.

Link: yamaha [PDF] | elektrotanya [Service Manual]


Specifications

Keyboard: 61 keys (F1~f3)

Controls: PITCH; DECAY;TREMOLO;
Four PIANO/HARPSICHORD
SWITCHES to alter the sound;
BALANCE; BASS and TREB LE
Tone Controls; and VOLUME.

Power Requirements:
100/120V/220V
20W (other models)

Jack Panel:Foot Switch Jack: SUSTAIN
Output Jacks: OUTPUT; HEAD-PHONES

Dimensions:Net Weight: 40.5Kg (89.3Ibs.)

Gem Galanti Group Jumbo 61 R6 Combo Organ with drum machine, 1970s, made in Italy




This appears to be much more than just a 61-key version of the "Jumbo" (above). The panel above the keyboard reads: "Jumbo 61 GEM R6". combo-organ

Schematic: combonation.proboards

Controls:

  • Knobs: Bass Volume, Balance, Vibrato Speed
  • Rhythm: Volume, Tempo, Start/Stop, Automatic, Swing, Bossa Nova, Tango, March, Blues, Waltz
  • Bass Voice Tabs: Bass On/Off, Bass Flutes, Bass Strings
  • Treble Voice Tabs: Horns, Strings, Cornets, Flutes
  • Vibrato: On/Off
  • Percussion Voices: Flutes, Strings
  • Knobs: Percussion Volume, Percussion Time