Tascam MD-801R MiniDisc Player, 1996-1997, made in Japan

 

Link: minidisc | owners manual / service manual

Price: msrp ¥220,000/ ¥170,000, MD-801RmkII: $2699

Availability: Tascam MD-801R $2199.00

Connectors: IN:

analog: line (RCA & XLR)

digital: AES/EBU & S/PDIF

coax. out: analog: line (RCA & XLR)

digital: AES/EBU & S/PDIF coax.

Clock I/O: word sync in/thru.

Control I/O: 25 pin (for RC-801), 37 pin (parallel), 9 pin (rs232), Mini Din 6 pin (PS/2 keyboard)

Connectors:

Data: D-sub 9 pin rs232c, mini DIN 6-pin PS/2 (or equiv) for remote kbd, D-sub 37 pin TTL level

digital inputs (801R only): AES/EBU XLR, SPDIF RCA.

digital outputs: AES/EBU XLR (801R only), SPDIF RCA (both).

analog inputs (801R only): XLRx2, RCAx2.

analog outputs: XLRx2, RCAx2, headphone (1/4") Note no optical I/O!

Digilab BSL-400 Quadcomp Four Channel Compressor Limiter [Gold Edition], made in Russia (загорский радиозавод)

 

Link: дигилаб.рф


- "Из золотой серии, разрабатывал загорский радиозавод"
- а что значит из золотой серии?
- "Золотая серия = корпуса покрашены такой краской"

... в ожиданиях TTX / Мануалов и прочей *Е-Р-Е-С-И*

Yamaha REV7 Digital Reverberator, 1985, made in Japan

Link: vintagedigital

The Yamaha Rev7 Professional Digital Reverberator, is a state-of-the-art sound processing device that is both extremely versatile and easy to operate. This refined stereo reverberator uses highly complex digital technology to create astonishingly authentic, warm, natural reverberation.

A host of superb features makes this unit a unique example of modern, sophisticated sound processing – from Yamaha.
A wide variety of reverberation, echo, delay, and ambient effects.
Special Modulation effects include stereo phasing, flanging, chorus, and tremolo.
Totally accurate and independent control of parameters.
The 30 factory preset effects may be edited to create up to 60 user programs, which can be stored in the Yamaha Rev7’s memory, and instantly recalled at the touch of a button.
Remote control unit permits remote selection of all presets and the most commonly used user programs.
Effects may be selected from an external MIDI device (e.g., a DX 7 synthesiser) enabling automatic selection of a specified reverberation effect for each voice on the synthesizer.
Full three-band parametric equalization allows adjustment of the sound of the Yamaha Rev7 to exactly match the acoustic properties of any environment. 

Yamaha SPX90 Digital Sound Processor, 1985, made in Japan

Link: vintagedigital

When it was released way back in 1985 no one would have expected it to become a classic, probably not even Yamaha themselves who continued to release better specified models year after year. Regardless of the improved noise floor, wider bandwidth and stereo inputs of the later models, it is the Yamaha SPX90 that remains the sought after Yamaha effects processor.

The Yamaha SPX90 is an amalgam of advanced acoustical research and digital technology designed to provide musicians and home recording enthusiasts with a wide range of exciting effects.

The Yamaha SPX90 Digital Multi-Effect Processor utilizes highly refined LSI (Large Scale Integration) technology to create natural reverberation. Not only is its assortment of 30 preset effects comprehensive enough to suit most studio and performance applications, the SPX90 also allows you to create up to 60 additional effects and store them for instant recall.

DBX PB48 48-Point Patch Bay

 

Link: dbxpro  | Owner's Manual

The PB-48 is a patchbay that just works, all the time, every time. It comes in two flavors: half-normalled or de-normalled, with 48 1/4" points on the front panel, connected to 48 1/4" points on the rear. The PB-48 is a rugged, noise-free, versatile patchbay designed to serve all your patchbay needs, from providing clear and easy access to your mixer and other studio gear, to reducing the wear and tear on their jacks, to facilitating quick and precise rerouting of devices within your studio setup.

Symetrix 304 4 Channel Headphone Amplifier, 1 february 2000, made in USA

Link: symetrix [Owner's manual] | Owner's Manual [PDF, Ru]

Specifications

INPUT/OUTPUT
Input Type: Bridging, Balanced or Unbalanced
Maximum Input Level: +18 dBu Balanced Maximum
Output Level: 21 dBm, 600 Ohm load, >6 VRMS, 200 Ohm load
Input Impedance:  20k Ohms Balanced, 10k Ohms Unbalanced
Output Impedance: 100 Ohms

Performance Data
Frequency Response: 20 Hz to 20 kHz, +0, -1 dB
THD+Noise: 01% (1kHz, 0 dBm, 600 Ohms) .02% (1kHz, +20 dBm, 600 Ohms)
Signal-to-Noise Ratio: 95 dB
Maximum Gain: 25 dB

CONNECTIONS
Input: 1/4" TRS
Output: 1/4" TRS
Power In: 7-pin DIN

PHYSICAL
Size (hwd): 1⁄2 rack unit 1.75 x 8.5 x 6.5 in., 4.445 x 21.59 x 15.875 cm.
Shipping Weight: 4.5 lbs

ELECTRICAL
Power Requirements115 VAC nominal, 95 to 130 VAC, 50 to 60 Hz 230 VAC nominal, 207 to 253 VAC, 50 Hz

EGO Systems Miditerminal 4140 4x4 64ch Midi & SMPTE Interface [designed by Chess Lim], 2000, made in Korea

 

Link: esi-audio | dragonet | muzoborudovanie | Drivers / Manuals | Knowledge Base / FAQ | Product Pictures | Datasheet as PDF

The Miditerminal 4140 is the full featured 4-in/4-out, 64 channel MIDI interface for those who need an economic PC/MIDI solution. The 4140 works with any PC. Just hook it up to your computer's printer port and you're ready to go. The Miditerminal 4140 uses a parallel port. The parallel type MIDI Interface has much better MIDI timing compare to USB type MIDI Interface. And if that isn't enough, the miditerminal 4140 also has full SMPTE time code capability. Read and generate al frame rates for the ultimate in accurate synchronization. The Miditerminal 4140 support ESI's unique and powerful driver technology for perfect compatability with Windows XP, 2000, ME, 98SE.

Features
- 4 In / 4 Out, 64 MIDI Channels
- Read & Write all frame rates 24, 25, 29.97, 30 Drop & Non-drop Send
- MTC to the computer for synchronization
- SMPTE Viewer and Generator software for convenient studio work
- Full LED Display
- 8 large Activity Indicators
- Power-On, MIDI Thru function
- No AC adaptor required
- Compact and portable (13.5 x 8.8 x 2.7 cm)
- Uses Parallel (printer) Port
- Works with any PC
- Compatible with all major software (Cubase, Cakewalk, Logic Audio, - etc.)
- Advanced EGO-SYS ASIC technology
- Special Cable Included
- Microsoft Windows 98SE/ME/2000 & XP compatible
- Windows 3.1/95/98 driver also provided

Lenox Group Spria-2 Hello Direct Deluxe Telephone Recorder (Rec & Play), 2001, made in USA

JK Audio BluePack Wireless Interview Tool, 2010, made in USA

 

Link: jkaudio [HD Version] | Owner's Manual for HD Version

Беспроводной инструмент для интервью.

BluePack позволяет брать интервью у прохожих в прямом эфире с помощью мобильного телефона, оснащенного беспроводной технологией Bluetooth. Этот изящный поясной рюкзак обеспечивает профессиональный вид журналистам на местах и ​​удаленным специалистам.

Peecker Sound DP01 Stereo Dynamic Processor & Crossover, made in Italy (built in Reggio Emilia)

 

Link: peeckersound | peeckersound [Catalogue]

Dynamic processor for professional loudspeaker systems
Dimensions (WxHxD): 483x44x208 mm
Weight (kg): 3,7

VariZoom Pro-pzfi Zoom Lens Camera Control for Panasonic

Link: varizoom | Owner's Manual

Panasonic Zoom, Focus & Iris Lens Control

The ultimate professional Zoom, Focus, and Iris controller for Panasonic Cameras uses our rugged aluminum housing and the finest quality components for precise, reliable operation. Controls Zoom / Focus / IrisFocus while zooming with a single hand.

Robust aluminum housing and heavy-duty precision components
Variable high-sensitivity rocker
Hefty aluminum knobs for focus and iris
Single-hand operation of all functions
Focus while Zooming with a single hand – Focus Knob conveniently located in the ‘trigger position’, so you can zoom with your thumb while pulling focus with your index finger

VariZoom is the world’s largest manufacturer of lens controls with the widest variety of controls offered anywhere. Our controls are used by CNN, CSPAN, National Geographic Society, Nickelodeon and many other professionals.

TC Electronic PowerCore X8 [FireWire, 8 x DSP Motorola (150 MHz)], 2008, made in Thailand

Link: tcelectronic | muzoborudovanie

PowerCore X8 provides a massive amount of power, with 8 fast DSPs and oodles of RAM. It is ideal for high-end production environments where unsurpassed quality and processing capabilities are required. Designed for serious studios and professional applications, the PowerCore X8 is sure to deliver, and it will meet even the most demanding tasks and requirements.

PowerCore X8 comes with 14 included plug-ins, among them, the renowned Dynamic EQ plug-in as well as the DeNoise plug-in from the acclaimed Restoration Suite package. Use the included $500 voucher to choose your favorite optional plug-ins at TC-Now.com.

System Audio SA SubElectro 200 (serial #112287), 2008, made in China¿

Link: system-audio | audiomania | Instructions | Owner's Manual [PDF, ru]

Корпус SubElectro 175/200 сделан из фибролита и отделан натуральной древесиной, защищенной мебельным лаком.

Если открутить винты и развернуть пластину на 180 градусов, то порт наглухо перекрывается и SE200 становится устройством закрытого типа.

Specifications:

Built-in high quality class D amplifier [слева] / в ранних - чистый class AB [справа]

Input: line in (mono or stereo)
Volume control for adjusting sound level
On/off function that automatically turns on and off
Phase: 0 or –180

Built-in high quality class D amplifier
Unique capacity to accommodate individual room acoustics
Frequency response (+/- 3 dB): 22 - 160 Hz
Crossover (var.): 40 - 160 Hz (24 dB/oct.)
Dimensions (W x H x D): 350 x 350 x 350 mm
Woofer: 1 x SA W25
Magnetic shielding: no
Built-in amplifier: 380 Watts impulse
Input voltage: 115 or 230 volts
New version from serial number 148379
Upgraded with new amplifier from serial number 154314

Motorola 2N3791 & Motorola 2N3715 Transistor

 

Link: 

Casio HT-700 / Hohner KS-49 49-Key Synthesizer Spectrum Dynamic Synthesis, 1988, made in Japan

Link: polynominal | synth-db | stereoninjamusic | weltenschule | synthark | Owner's Manual | wikipedia

The Casio HT and HZ series are a very interesting group of synthesizers produced from 1987-1991. They use a very specific form of sound generation called "SD Synthesis". Short for "Spectrum Dynamic" SD Synthesis has some things in common with the subtractive synthesis we know and love. The synth takes a waveform and runs it through a real analog VCF (filter). There are ADSR envelopes for the DCA and VCF that shape the sound. And there is an LFO just like on a standard subtractive synth, although this LFO only modulates pitch (vibrato) and volume (tremolo).

Where things get interesting however, is in the choice of waveforms available from the synth engine. There are 32 incredibly varied waveforms, some sound very nasal or narrow, some like saw or square waveforms, some with an odd metallic timbre, and some feature white noise. It's still a mystery exactly how these waves are created, but experts suggest they contain a number of harmonically-rich pulse waves at different octaves, as well as a ring modulator and an analog noise source.

To make things even more interesting, these waves have pre-programmed amounts of PWM and amplitude modulation built into them. For example, one SD wave could contain two pulse waves fading in and out at different times. But you don't have to understand all of this to get the best out of the synth. The mystery and modulation of it all means you can just pick a preset and change the waves around and see what happens. The synth sounds are in the same ballpark as other DCO-synths of the time, and can even sound a little PPG-like on a good day. The filter is a bit weak for bass but adds a nice swoosh to some sounds. There is also a nice chorus effect on board. Additionally, being a home keyboard, it has built-in speakers, a Drum Machine and an Auto-Accompaniment mode (the lower tone is used for accompaniment). The drum sounds resemble the Casio RZ-1 8-bit drum machine.

The low point of the synth is in the programming. You have one big clunky rotary dial and a list of two digit parameters to edit (e.g.: 10 will be cutoff, 11 is resonance) and these parameters are not listed on the panel, so you need the manual with you at all times! MIDI is present, but limited to just 3-channels and has no SysEx support. Kind of a bummer from a synth with such a tedious programming interface.

The HT-3000 has several brothers (also released in 1987). They include the HT-700, which has 49 mini-keys instead of the 3000's 61 full-size keys. It also has a big brother in the HT-6000, which is a 4 DCO, 8 VCF and 64 waveform monster! (And the HT-6000 lists the edit parameter codes on front-panel.) Now, as no one really knows about the HT-series, they go for very little money and can be a great tool in your synth arsenal for unusual sounds!

Hard Reset for CasioHZ/HT-series: Hold "Mode" and "Data" as you power on.

Brand: Casio
Model:HT-700

Device:Synth

Type:Keys

Engine:Type Digital

Engine:VA

Voices (max): 8

Multitimbral: 3

Oscillators: 1

LFO1: LFO with 5 waveforms for the Upper Tone, 1 for the Lower tone. Modulates volume or pitch only.

Noise: 1 DCO. Upper tone: 32 SD waves, Lower Tone: 16 SD waves, Noise generator

Engine: Detailed Y 

Filter (VCF): 1 VCF resonant analog lowpass with ADSR envelope

Envelope (VCA): 1 DCA with ADSR envelope

FX: Analog Chorus (3 types)

Memory: 30 preset, 30 user

Keys: 49

Key type: Mini keys

Velocity: No

Aftertouch: No

Midi: I-O-T

Extra info: Drums/accompaniment: 10 user patterns

Produced: 1987 - 1998

Legend:		Obvious	Y: Yes, N: No, N/A: Not Applicable
VCO	Voltage Controlled Oscillator	DCO	Digital Controlled Oscillator
LFO	Low Frequency Oscillator	Sub	Sub Oscillator
VCF	Voltage Controlled Filter	VCA	Voltage Controlled Amplifier
Velocity	As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.	Aftertouch	Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.