Sinn7 Phantom.1 (48V Phantompower Interface)

Official Web

Dynacord CLS-22 Leslie Simulator

mp3 demo

 

Crumar Performer polyphonic analog Strings and Brass machine, 1970s

Manual & Scheme [PDF]
http://till-kopper.de

Crumar Organizer T2, Italian Hammond Clone

The Crumar T2 is a great tool. The sound is very special. While a relatively soft sounds of the Hammond Crumar T2 can be quite lively effect. The percussion will be a switch or turned off via a 9. With 2 drawbars to the strength and the echo of the percussion be set. It is not a single keyboard percussion which also has its appeal. The lower manual has no percussion. For Pedal Bassynthi is installed.

Orgue fin 70' model 0T2

220v 25 watts

made in italy

2 claviers 2 fois 61 touches

3 Preset d'usine plus un personnalisé par clavier

Volume :

Lower manual, master

Modulation :

Rate, vibrato, tremolo

Lower Manual :

16'  5 1/3'  8' 4' 2 2/3'  2' 1 3/5'  1 1/3'  1' 

Upper Manual :

percussion : 16'  5 1/3'  8' 4' 2 2/3'  2' 1 3/5'  1 1/3'  1' k1 K2

percussion : volume, decay

Synthé Bass:

mode : Off, Perc, Sust

Footage 16' 8' 4'

Decay, range, resonance, volume

Man. / Ped.

Pitch / Bending

Sustain : length

auto  on/off

Prise jack :

Main, lower manual, bass constant level

Pitch général.

more info synthark.com

General

RELEASED	MSRP	MULTITIMBRAL	POLYPHONY	UNISON	ARCHITECTURE
1978	?	2 (split)	full	no	DCO->VCF->VCA

Physical

FORM FACTOR	DIMENSIONS	WEIGHT	AUDIO INPUT	AUDIO OUTPUT	COMMUNICATION PORT	CONTROL INPUT	CONTROL OUTPUT	SWITCH INPUT	POWER
2x 61 keys	?	?	no	Bass Main	no	volume pedal	no	no	AC

Interface

COMPATIBILITY	MULTITIMBRAL MEMORY	PROGRAM MEMORY	EXTERNAL STORAGE	EXTERNAL PROGRAMMING	UI INPUT	UI OUTPUT
–	no	OrganUpper:3 OrganLower:3	no	no	buttons/knobs	LED

Architecture

MULTITIMBRAL	POLYPHONY	UNISON	ARCHITECTURE
2 (split)	full	no	DCO->VCF->VCA

Source

NAME	SIGNAL CLASS	WAVEFORM	OCTAVE RANGE	AMPLITUDE MODULATOR	HARMONICS MODULATOR	MIX MODULATOR	PHASE MODULATOR	PITCH MODULATOR
OrganU	digital	?	16′ 5.33′ 8′ 4′ 2.67′ 2′ 1.6′ 1.33′ 1′ (mix)	no	no	no	no	LFO
PercussionU	digital?	impulse?	16′ 5.33′ 8′ 4′ 2.67′ 2′ 1.6′ 1.33′ 1′ (mix)	no	no	no	no	no
OrganL	digital	?	16′ 5.33′ 8′ 4′ 2.67′ 2′ 1.6′ 1.33′ 1′ (mix)	no	no	no	no	LFO
Bass	digital	saw?	4′ 8′ 16′	no	no	no	no	LFO

Filter

NAME	SIGNAL CLASS	IC	RESONANT	SHAPE	FREQUENCY MODULATOR	RESONANCE MODULATOR
Bass	analog	opamp	yes	low pass	no	no

Output

EFFECTS	PAN MODULATOR	VOLUME MODULATOR	AUDIO	HEADPHONE
no	no	EGs LFO pedal	Bass Main	no

Control

ARPEGGIATOR	ARPEGGIATOR EXTERNAL	SEQUENCER	SEQUENCER MEMORY	SEQUENCER EXTERNAL	CONTINUOUS	PROGRAM CHANGE
no	N/A	no	N/A	N/A	pitch paddle	no

Keyboard

AFTERTOUCH	CHORD MEMORY	EXTERNAL CONTROL	MICROTONAL SCALING	EXTERNAL SUSTAIN	VELOCITY CURVES
no	no	no	no	no	no

Envelope

NAME	LEVEL	RATE	LOOP	POLARITY	TRIGGER	LEVEL MODULATOR	RATE MODULATOR
BassEG	–	decay	no	no	key	no	no
PercussionEG	–	decay	no	no	key	no	no
OrganEG	–	release	no	no	key	no	no

LFO

NAME	WAVEFORM	DELAY	POLARITY	SYNC	DELAY MODULATOR	LEVEL MODULATOR	RATE MODULATOR
LFO	triangle?	no	no	no	no	no	no

Aria Diamond WFP-1 Wah-Fuzz, 1970s

http://www.effectsdatabase.com

 

Rockbag by Warwick RB 24200 B 19" Rack Bag 2U black

19" 2U softcase. 
features: 
Birch-pieces of plywood covered with water-resistant RokTex surface material for 2 RU rack products 
Solid, water-resistant RokTex surface material 
Colour: black 
10 mm / 0.39" cushioning and PVC inlay in front and back lid 
All sides strengthened with plywood, 15 mm / 0.59" thick 
Depth of rack bag: 35 mm / 1.38" to the track, 440 mm / 17.32" installation depth, total depth 475 mm / 18.70" 
Depth of Shallow rack bags: 35 mm / 1.38" to the track, 320 mm / 12.60" installation depth, total depth 355 mm / 14.00" 
10 mm / 0.39" wide 2-way zip with nylon zip-hanger and RockBag logo print 
Outside pocket for cables and accessories (except Shallow rack bags) 
Velcro fasteners to keep the front and the back closing lid open 
Cushioned twin-handle 
1 shoulder strap with mobile phone pocket and non-slip shoulder protection 
Integrated aluminium rails 
Solid metal hardware 
Pyramid feet 
Printed RockBag logo 
Dimensions: 48 x 47,5 x 10 cm/18.90" x 18.70" x 3.94"

Thomann Rack Case ABS 6U 19''

Plastic Case

Size: 505 x 505 x 325 mm

Weight: 6,6 kg

Korg Kaoss Pad 3

 

Hohner Expander VOX 5 P MIDI (Accordion)

The HOHNER VOX5 was developed in the 80s as a full equipment for accordion solo entertainer. It was also at that time so highly developed and best quality that only professionals could afford almost...

A special feature is that the velocity characteristics of the instruments can be manipulated. this way can create entirely new sound effects.

In keeping with the trend of the analog sound generation fascinated by this rare piece of '80s analog sounds with incredibly great.

These sounds - the drums, guitars, bass, flutes and the outstanding organ sounds are characterized by the fact that they do not sound synthetic, but a pleasantly soft yet accurate and exhibit dynamic analog sound. You ask how digital operation via MIDI with analog sounds are compatible? Although synthetically generated and therefore MIDI-compatible - the sounds come from extremely large, high quality and from today's perspective superredundanten ICs and microprocessors.

Yes, in the '80s, the circuits were so solid that they have for the sound generation characteristic of a completely analogous. Hence the great sounds - which is why the early analog synthesizers of the '80s with connoisseurs looking incredibly delicious treat! matrixsynth

User Manual [PDF]

MIDI - Installation of Accordions

Peavey PV 10 USB 10-Channel Mixer with Digital Output and Effects

The PV 10 USB features built-in DSP effects with multiple reverbs and delays, plus vocal enhancer and much more, while a USB port allows direct connection to a USB-equipped computer for recording from the mixer or playing back digital audio (compatible with Mac OSX, Windows XP, ME & 2000). It also includes pre-fader monitor sends; post-fader effects send; inserts on all channels; and dual, switchable line inputs on the two stereo channels. All PV Series mixers include our Tape to Control Room and Tape to Mix assigns, which allow the operator to monitor an external stereo signal without using any of the mixer's channels. In addition, the mixers' Control Room output sends a stereo master output signal to an external source for monitoring. Phantom power, effects send and a contour switch are also standard on all models.

Official Web | User Manual [PDF] | Spec Sheet

Jomox T-Resonator

Official Web

"T" stands for Time.

The T-Resonator transforms timely events into an analog feedbacked filter network. 

What comes out of this you can hear in the audio samples.

The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.
Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm.

Alesis multimix 16 USB 2.0

Official Web

High resolution mixer with Multichannel USB 2.0 audio interface

The Alesis MultiMix 16 USB 2.0 mixer provides USB 2.0 technology for ultra–fast, low–latency, 24–bit/44.1–96kHz (with high–end A/D and D/A conversion) multi–channel audio recording straight to your computer.

Designed with low–noise analog electronics, the MultiMix 16 USB 2.0 mixer lets users take advantage of 100 studio–grade 28–bit digital effects. Whether used for mobile or studio recording, the MultiMix 16 USB 2.0 mixer makes recording high–quality audio to your computer fast and easy.

The MultiMix 16 USB 2.0 mixer is also bundled with award–winning Cubase LE software for instant creativity right out of the box.

TC Helicon Quintet Vocal Processor

Official Web
User Manual [PDF]