Furman M-8 Power Conditioner [Merite Series], 2007, made in China

Link: panamax

The M-8 power conditioner provides 9 switched outlets for powering equipment. It not only protects anything plugged into it from spikes and surges, but also has a built in AC noise filter to rid the system of RFI / EMI interference.

This allows equipment to function better and last longer.

Specifications:
Current rating: 15 amps (1800 watts at 120 VAC)
Line Cords: 6 ft. captive, 14 AWG, with 3-conductor Edison Plug
Lamps (if present): 2 x 5 watts
AC Voltmeter (if present): Range 60 to 150 VAC; accuracy +/- 2 VAC
Operating Voltage: 90 to 140 VAC
Spike Protection Modes (M-8, M-8L, M-8D): Line to neutral
Spike Clamping Voltage(M-8, M-8L, M-8D): 188 Vpk @ 3,000 amps, (133 VAC RMS)
Maximum surge current (M-8, M-8L, M-8D): 4,500 amps
Noise attenuation (M-8, M-8L, M-8D): Transverse mode: Greater than 50 dB, 1 to 100 MHz
Mechanical:
Dimensions(M-8, M-8L, M-8D):
1.75” H x 19” W x 7.5” D. Dimensions(M-10):
1.75” H x 19” W x 3.96” D.
Weight: 5 lbs (2.3 kg).
Construction: Steel chassis, black painted
Power Consumption: M-8, 6 watts
M-8L, 14 watts M-8D, 14 watts M-10, 0 watts
Safety Agency Listings: TUV, TUV-C

Апгрейд / Ремонт / Твики:

Seoum | Lenco R-25 Fm/AM Stereo Receiver, 1976-1979, made in Korea

 

Link: hifi-wiki | resus.ch | Service Manual [PDF]

South-Korean OEM Manufacturer Seoum was the company that the Lenco R 25 Receiver developed and produced in 1976 and 1977. When they arrived in Burgdorf they went through their final check where it got its Lenco sticker on the rear side of the unit.  Swiss distributor ExLibris sold it for CHF 480

Оригинальными для оконечного усилителя являются транзисторы: 4 x Toshiba T526, но об этом чуть ниже... К сожалению схема в мелочах не соответствует с действительностью.

Manufacturer: Lenco , Switzerland
Model: R25
Type: Receiver
Years of construction: 1976 - 1979
Made in: Korea
New price approx.: 800 DM

Specifications:
Verstärker-Teil
Sinusleistung an 4 Ohm: 2X25W
Musikleistung an 4 Ohm: 2X45W
Klirrfaktor bei 1 kHz, beide
Kanäle gleichzeitig aus gesteuert auf 20W: 0.5%
Frequenzgang: 10 bis 40000 Hz
Leistungsbandbreite: 20 bis 20000 Hz
Empfindlichkeit Phono: 2,5 mV an 50 Ohm
Entzerrung Phono: RIAA ±1,5 dB
Empfindlichkeit Mikrophon: 2,5 mV an 50 Ohm
Empfindlichkeit AUX, TAPE: 160 mV an 50 Ohm
Höhenregler: +10 dB bei 10 kHz
Tiefenregler: +10 dB bei 100 Hz

Physiologische:
Lautstärkeregelung:
+ 7 dB bei 100 Hz
+ 4 dB bei 10 kHz
Geräuschspannungsabstand:
nach DIN
- Phono: > 60 dB
- AUX, TAPE: > 62 dB
Übersprechdämpfung
> 52 dB bei 1 kHz
> 33 dB bei 10 kHz

FM-Teil:
Antennenanschlüsse:
- 240-300 Ohm Sym.
- 60-75 Ohm Sym.
Empfangsbereich: 87,5-108 MHz
Empfindlichkeit mono, 60 Ohm Eingang:
20 dB S/N, f= 40kHz 1,0 μV
26 dB S/N, f= 40kHz 1,8 μV
Empfindlichkeit (mono, 60 Ohm Eingang 26 dB S/N, f= 40kHz): 1,8 μV
Begrenzereinsatz: 1,5 μV
Klirrfaktor mono: < 0,2%
Fremdspannungsabstand (mono, Eingang 1 mV): >55 dB
Gleichwellenselektion: 1,5 dB
ZF-Unterdrückung: > 90 dB
Spiegelfrequenzfestigkeit: > 80 dB
Frequenzgang: 20 bis 16 000 Hz
Stereo-Kanaltrennung: > 40 dB
Stereo-Schwelle: 5 μV

AM-Teil:
Frequenzbereich MW: 525-1650 kHz
Empfindlichkeit (S/N 20 dB): 20 uV Ant.-Eingang
Klirrfaktor: < 2%
Spiegelfrequenzfestigkeit: > 45 dB
Fremdspannungsabstand: > 45 dB

Allgemeine Daten:
Stromaufnahme: 150 VA max.
Abmessungen: 490x390x132 mm
Gewicht 11 kg

MarkBass TTE 500 Randy Jackson Signature, January 2012, made in Italy

Link: markbass

Preamp: Tube
Tube: 3x ECC83 + 1x ECC81 (compressor)
Power Amp: Analog (TTE: “Tube Technology Emulator”)
Power Supply: Special Markbass Digital Power Supply
Power: 500W @ 4 ohms / 300W @ 8ohms
EQ (passive)
- BASS
- MIDDLE
- HIGH
Controls: compressor - colour (tube-driven VLE)
Outputs: Speakers (2 speakon combo) - Line Out (XLR)
Weight: 6 kg / 13.23 lbs
Notes:
The minimum ohm load for all Markbass heads is 4 ohms.

Markbass amps/combos are manufactured to be sold and used in the country of purchase, and they are factory preset to that country’s voltage.
Due to homologation issues, the voltage may not be changed.

The design, features and technical specs of this product are subject to change prior to production.“Modern Vintage” may seem to be an oxymoron, but it sums up the unique new TTE 500 well. Current technology is brought together with classic tone concepts in a head that looks and sounds vintage—but features some special adaptations of the innovations that put the Markbass on the map! The classic sound comes from an old-style tube preamp, a tube compressor, a simple 3-band passive EQ section, a “Colour” filter (a tube adaptation of the famous Markbass VLE control), and an innovative Tube Technology Emulator power amp.

Soundcraft Ui12 12-channel Digital Mixer With Wireless Control, 2015, made in China

Link: soundcraft | linux-sunxi

Features
Tablet/PC/Smartphone Controlled Digital Mixer
Integrated Wi-Fi
Cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices
Use up to 10 control devices (tablets, phones, PCs) simultaneously
Legendary Harman Signal Processing from dbx®, Digitech®, and Lexicon®
Fully recallable and remote-controlled mic preamps
4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels
31-band Graphic EQ, Noise Gate and Compressor on all outputs
Real-Time Frequency Analyser (RTA) on inputs and outputs
3 dedicated Lexicon® FX effects processors: Reverb, Delay and Chorus
Subgroups, Mute Groups, View Groups, and more mixer controls
Show/Snapshot recall with channel safes and security lockout
2-channel USB audio playback and recording
Password-protected Access limitation system
Sync ID (multiple browser windows staying in channel Sync)

Telefunken L 3501, 1981, made in Germany

Link: radiomuseum | telefunken.pytalhost

Один из опытных пользователей различных АС дословно передал то что хотелось мне сказать об этой паре: vegalab
Поставил на стульях эти колонки к пасти руппора так, чтобы руппор подыгрывал, и с другом задумались: может ну его нафиг эти Сонидо?
Играет так, что волосы дыбом и домой я не пойду, спать не вариант, только слушать...
Задумайтесь, меломаны...

Country:  Germany

Manufacturer / Brand:  Telefunken Deutschland (TFK), (Gesellschaft für drahtlose Telegraphie Telefunken mbH

Year: 1981

Category: Loudspeaker, headphone or earphone

Wave bands - without

Details

Power type and voltage No Power needed

Loudspeaker 2 Loudspeakers

Power out

Model: HiFi-Lautsprecherbox L 3501 - Telefunken Deutschland TFK,

Shape Console with any shape - in general

Dimensions (WHD) 210 x 296 x 195 mm / 8.3 x 11.7 x 7.7 inch

Notes

• 2-Wege-Box nach DIN 45500
• 11,5 l Volumen
• Impedanz 4 Ohm
• Anschlusskabel 5 m
• Normstecker (LS7).
• Tiefton-Lautsprecher: 16,0 cm
• Hochton-Lautsprecher: 6,5 cm
• Nennbelastbarkeit: 30 W
• Musikbelastbarkeit: 50 W
• Übertragungsbereich: 50 - 20000 Hz
• Gehäuseausführungen: Nussbaum hell; mattschwarz.

Heco Sound-Master SM35, 1978-1971, made in Germany

 

Link: hifi-wiki | radiomuseum

Country: Germany
Manufacturer / Brand: Heco, Hennel & Co. KG; Schmitten, Pulheim (auch Berlin
Year: 1968/1969
Category: Loudspeaker, headphone or earphone
Main principle: none
Wave bands - without
Power type and voltage: No Power needed
Loudspeaker: 3 Loudspeakers
Material: Wooden casefrom
Model: Soundmaster SM35 - Heco, Hennel & Co. KG;

Shape: Book-shelf unit.
Dimensions (WHD): 280 x 480 x 250 mm / 11 x 18.9 x 9.8 inch

Net weight (2.2 lb = 1 kg): 9.7 kg / 21 lb 5.9 oz (21.366 lb)

Specification:
Type: 3-way closed speaker system
- Woofer: cone Ø 245 mm
Diffuser material: celulose with the addition of sheep wool
Suspension material: butyl rubber
- Midrange: cone Ø 130 mm
Diffuser material: pulp with the addition of sheep wool
Suspension material: butyl rubber
- Twitter: oval 70x100 mm
Diffuser material: cellulose
Sine / musical power: 35/50 W
Frequency response: 40–20 000 Hz
Frequency section: 650/1900 Hz
Impedance: 4-8 Ω
Price in first year of sale: 296.00 DM

Скульптурный станок | Cтолик скульптора [Стойка, подставка для лепки или экспонирования скульптуры] | Sculptor's Table, made in USSR

Behringer V-verb PRO REV2496 rev. 1.2 Ultra High-Performance 24-Bit/96 kHz Dual-Engine Reverb Modeler, 2003, made in China

Link: behringer | soundonsound | Owner's Manual [ver 1.0]

The BEHRINGER V-VERB PRO REV2496 is a reference-class reverb modeler that simulates some of the world’s most renowned reverb processors. It draws its strength from two independent effects processors that can be accessed via both analog and digital connectors. It also features 8 high-end reverb algorithms modeled after world-class reverb processors, plus additional high-quality modulation effects from X-Over Delay to Chorus/Flanger, as well as a stereo Compressor.

Thanks to its high-quality 24-bit/96 kHz A/D and D/A converters plus full 96 kHz operation of both effects processors (all 4 channels!), the REV2496 guarantees absolute high-end performance.

There are 10 different routing configurations for flexible assignment of analog and digital signals to both stereo engines. A full-featured digital interface with AES/EBU In/Out, optical S/PDIF In/Out, Wordclock In and MIDI capability allow flexible integration with other digital equipment. An ultra high-resolution SHARC® processor with 32-bit internal signal processing, ensures the ultimate in sonic resolution.

In spite of all these impressive features and state-of-the-art performance, the REV2496 is intuitive and easy to use, with its soft push/turn encoders, big preset wheel, high-resolution LCD display, plus its TAP button for manually entering delay times. Direct access to 4 effect parameters makes editing easy and comfortable, and you can edit up to 30 parameters using our specially designed graphic mode. Separate ROM and user preset banks put a total of 400 presets at your fingertips—and open architecture allows future software updates via MIDI. Of course, you also get balanced inputs and servo-balanced outputs with gold-plated XLR and ¼" TRS connectors.

Specifications:

ANALOG INPUTS
Type:
- XLR balanced
- 1/4" TRS stereo balanced
Impedance Max. input level: +16 dBu
CMRR: typ. 40 dB


ANALOG OUTPUTS
Type:
- XLR, servo-balanced
- 1/4" TRS stereo servo-balanced
Impedance: approx. 100 Ω balanced
Max. output level: +16 dBu

SYSTEM SPECIFICATIONS
Frequency range:
- <10 Hz - 20 kHz @ 44.1 kHz
- <10 Hz - 22 kHz @ 48 kHz
- <10 Hz - 46 kHz @ 96 kHz
Signal-to-noise ratio: -90 dBu
Dynamic range: 106 dB (analog in ß analog out)
THD: 0,007% typ. @ +4dBu, 1 kHz, Gain 1
Crosstalk: < -100 dB (analog in ß analog out)
Signal delay: < 1 ms (analog in ß analog out)

DIGITAL INPUT 1
Type: XLR servo-balanced
Standard: AES/EBU or S/PDIF
input impedance: 110 Ω
nominal input level: 0.2 - 5 V peak-to-peak

DIGITAL INPUT 2
Type: TOSLINK optical
Standard: AES/EBU or S/PDIF

DIGITAL OUTPUT 1
Type: XLR servo-balanced
Standard: AES/EBU or S/PDIF

DIGITAL OUTPUT 2
Type: TOSLINK optical
Standard: AES/EBU or S/PDIF

SYNC INPUT
Type: BNC
Standard: Wordclock (1 x sample rate)
input impedance: approx. 50 kΩ
Nom. level: 2 - 6 V peak-to-peak

MIDI Interface
Type: 5-pin DIN jacks In/Out/Thru

Implementation: cf. MIDI implementation chart

DIGITAL PROCESSING
Processor: high-resolution SHARC® DSP 600 MFLOPs, 32-bit internal signal processing
Converter: 24 Bit/96 kHz
Sample rate: external, 44.1 kHz, 48 kHz, 96 kHz

DISPLAY
Type: 128 x 64 backlit liquid crystal display (green) with adjustable contrast

MEMORY
Presets:
- 100 ROM + 100 user presets for engines A and B
- 100 ROM + 100 user presets for combinations

POWER SUPPLY
Mains voltage: 85-250 V~, 50-60 Hz
Power consumption: 10 W typ.
Fuse: T1AH
Mains connector: Standard receptacle

DIMENSIONS/WEIGHT
Dimensions: 19" (482,6 mm) x 1 3⁄4" (44,5 mm) x 8 1⁄2" (217 mm)
Weight: approx. 4 3⁄4" lbs. (2.15 kg)

NI Native Instruments Komplete Audio 6 mk1, 2011, made in China

 

Link: prosound.ixbt | native-instruments | Driver's | Owner's Manual

Specifications:
Output (D/A)
Channels: 6
Sampling Rate: 44.1, 48, 88.2, 96kHz
Bit Resolution: 24
Converter: Cirrus Logic CS4270

Cross Talk:
- Line -87dBu
- Headphone -87dBu

Impedance:
- Line 100 Ohms unbalanced 200 Ohms balanced
- Headphone 8... 600Ohms (Load)

Maximum Output Level:
- Line 9.6dBu
- Headphone 9.3dBu 4.26V rms, 100mW @ 100 Ohms

THD + N:
- Line 0.007%
- Headphone 0.012%

SNR:
- Line 101dB (A-weighted)
- Headphone 95dB (A-weighted)

Frequency Response:
- Line 10-40kHz±0.5 dB
- Headphone 10-40kHz±0.5dB

Faylon Electronics Hurricane 200 2ch tube amplifier 1970, made in Belgium

Link: radiomuseum | EL 503 story

В предварительном использованы вакуумные лампы: 2 x Siemens ECC83
В оконечном использованы вакуумные лампы: 4 x EL503

Country: Belgium
Manufacturer / Brand: Faylon; (where?)
Year: 1970
Category: Audio Amplifier or -mixer
Number of Tubes: 6
Valves / Tubes: 2 x ECC83 4 x EL503
Number of Transistors: 7
Semiconductors: BC109 BC109 BC109 BC109 BC109 BC107 BC107
Main principle: Audio-Amplification
Wave bands: without

Power type and voltage: Alternating Current supply (AC) / 110-240 Volt
Loudspeaker: This model requires external speaker(s)
Power out: 100 W (undistorted)
Material: Wooden casefrom
Model: Professional Mixer Amplifier Universal 200 - Faylon;
Shape: Tablemodel, low profile (big size)
Dimensions (WHD): 570 x 295 x 200 mm / 22.4 x 11.6 x 7.9 inch
Net weight (2.2 lb = 1 kg): 20.7 kg / 45 lb 9.5 oz (45.595 lb)